Originally created from extraordinary physical samples, captured on HD film and developed using RMOS technology.

RMOS is an Irradiated 35 mm film image product. This technology is now Retired. The products are reassigned to 3D

map products for Film and Game Effects.

RMOS film and HD Digital samples, are the basis of analysis and source of ETCTBmp color extractions.

© VAu000621288 2013 US Patent Pending In many UFO reports, witness reported modulating colors and lights on

UFO anomalies. However; few have

documented such events with a level of detail; as UFOdc.com.

Assimilated (Sampled) Alien Color Technology: UFO Colors. RGBCMY Color pulse-Modulator Colors*

US Capitol P-51 UFO Anomaly*. The colors are alien in origins, and not conventional Swatch range colors. These

are UFOs. Carpenters P-51 Modulator Pattern: are a series of images of the Lead Right Sphere in RGBCMY gradients,

(Motion File) of the Lead Right Sphere on the Carpenters P-51 UFO Anomaly* This is a GIFF file, the actual modulator

file is much faster. Motion files are HD AVI files made from extraordinary high definition files exclusively of UFOdc.com.

Using AVID 2019/Boris Fx BCC 2019, 64 bit technology. Our exceptional visual files are extracted (sampled)

from the Worlds best samples.

© VAu000621288 2013 US Patent Pending

Level 1 color technology (film): Carpenters P-53 UFO

Gradient files. These files apply in place of conventional Swatch Colors (Standard embedded color profiles).

© VAu000621288 2013 US Patent Pending

Colors and textures sampled from alien objects, green sphere formation imaged at the US Capitol Building 7-16-2002.

Carpenters P-51 UFO Lead Right and Rear Right Sphere, in series of 4 Spheres (Click on picture) The Avid Video shows

motion Files Applications generated from HD Film samples of UFOs. However, we have evolved to HD Digital, and have

some of the Worlds most extraordinary and exclusive HD Digital UFO images.* Possible explanation on UFO Coloring

Coast to Coast with George Noory

© VAu000621288 2013 US Patent Pending

Show 1 Carpenters P-51 Gradients as seen on George Noory (Click on image) for Coast to Coast

Show 2: AM Coast to Coast: UFO Forensic Files

UFOdc.com is considered news worthy by National and International Media.

Comparative analysis of Green Sphere UFO NASA JPL

AVID Media Composer 2019 64 Bit Digital Editing

Boris Fx 2019

Motion Picture 3D Animation and Digital Game Developers work with computer generated 3D objects. These objects

consist of layers or programs within a program, to create a specific 3D object (artist interpretation of Digital 3D

pliable matter). Generally, the effects are manipulated using additional programs within these programs to enhance

or modify an effect. The basis of these animations is conventional Swatch color technology . Gradients of RGBCMY.

In place of those colors, ETCTBmp*

My company strives on State of the Art technology in the analysis and creation of ET Texture Bitmaps. These

sampled alien colors are rendered in Static and Motion applications. Initially rendered in 32 Bit digital technology, we

have regenerated all color texture bitmaps too 64 Bit specifications. AVID editing and Boris Fx BCC 2019 technology is

used in the manufacturing of motion texture applications. These are Next Generation 3D color applications, sampled

from exceptional HD sources.

© VAu000621288 2013 US Patent Pending/ NASA JPL 1969

Apollo 11 Authentication* Apollo 11-US Capitol UFO Comparative Analysis. The texture materials are authenticated..

These are Extraterrestrial Anomalies. The HD sampled texture applications are extraordinarily vibrant. There are no

color samples like this on Earth. Click on analysis to see video of anomaly on Earth & in Space. © Wilbur G Allen

VAu000621288, US Patent Pending 2012. There are Organic Watermarks associated to these samples.

Doing on site field research in exclusive areas of analysis, such as AREA 51 Nevada, The Arctic Circle (Northern

Alaska), Sedona Arizona, Kokomo Indiana... the objects documented are all the same. A large Band of Light,

much larger than 2 aircraft carriers. I witness and document them in their Native Environments in HD. This data

represents Level 1 Full Color Night Vision (ISO 204800). My current systems are substantially upgraded, starting

at ISO 409600 and extending to ISO 4 Million. Though this material is indeed visually attractive and totally

compelling, it has since been extensively upgraded.

Sedona UFO Sudden Manifestation 4-07-2013 reference frame AVID/Boris Fx BCC 2019. We film in absolute

darkness using extreme camera sensitivities (51200-204800 ISO). To control noise, Boris Fx BCC 2019 (NR)

(NR) Noise Reduction is applied to HD Video (above). This is Time Lapse Photography @102400

ISO. Each frame is 1/20th of a second (1/24 of a second is Motion PIcture Sync rate). The camera is

programmed to fire 1 frame every second for any given period of time, up to 8 hours. If things happen

every second, then based on a frame per second, this shows that this indeed the truth! My cameras

captured UFO's suddenly materialize into the image frame area. This explains how Radar Blips show up

on the radar screens, suddenly! It also explains how that radar blip suddenly vanishes from the screen!

Our data has substantially upgraded with each upgrade in camera imaging technology. The authentication

of UFOs forensically, has paved the way for truthful disclosure. (?)

Part 2 of UFO Close Encounter in Sedona Arizona 4-07-2013 (Click on image for AVID/Boris Fx BCC 8.2Video)

This explains how Radar Blips show up and vanish, suddenly from the screen! This is film footage, no CGI technology

is used to render this extraordinary footage. Other than BCC NR noise reduction and Time Warp applications, all video

is as filmed during each event. Filmed in Time Lapse mode, we are now focusing on Real Time applications in the

documentation of UFO anomalies. We now have Real Time Video in HD of UFO's going to Warp (as in Star Trek).

Please go to my YouTube Channel for extraordinary documentation of UFO events in Real Time HD. Please play all

videos in HD 1080 mode. There were those that thought these samples were the results of slow shutter speeds,

forensics proves they're not. We have Infrared and High Speed Motion Pictures using Full Color Night Vision cameras.

Band of Light UFO

The Band of Light UFO first documented by Grumman Ground Satellite Tracking technology in 1960. It resurfaced

in 1986 over Alaska following a Japan Airlines Flight 1628 Jumbo Jet. The capabilities of this anomaly are exceptional!

With its ability to bend time, and go to maximum WARP acceleration are admirable! This sample represents current

levels of imaging advancements. We are Full Color Night Vision @ 60 frames per second in zero light. This is an Ultra

HD 4K motion picture sample.

7-28-2018 UFO Band of Light 4 Flyby Hyperstar IR Analysis 2. The forensics associated with this object, which was initially

documented in Washington DC 10-21-2016. Clicking on these 2 links Washington DC 10-26-2016 and in Virginia 12-28-2017

above., and an extreme close -up 6-29-2018 . 4 examples forensically showing this anomaly. For further details and

analysis, click here

6-27-2019 Band of Light Green tail Close Flyby Horizontal Analysis

NASA Apollo 14 Mission Footage EVA 1 UFO Pairs and Band of Light SM SDM (Ultra HD Remaster)

(Wormholes: Dr. Edgar Mitchell and Wilbur Allen)

Orange UFO: Landing of the Orange and Blue Spheres, Baltimore Maryland 8-03-2008 Click on image for Video.

The basis of this color texture technology are UFO's captured by my cameras. I have taken some of the Worlds

most extraordinary photographs. National Geographic Creative

The Worlds first Full frame HD digital UFO Close Encounter (D700 Nikon @ H1) 8-03-2008. This event generated

several levels and sources of UFO colors. Extracting from the HD original image file as the source of this level of

bitmap materials. Data mining the samples for what they are worth, we obtain our materials from extraterrestrial

objects (UFOs). These objects just happened to land in front of me and 18 other people, whom cannot remember

this event? The analysis of an Extraterrestrial anomaly, in the creation of ET based colors. Assimilating a UFO

from the worlds best samples, and creating texture bitmaps unlike anything on Earth. Alien Color Technology.

© VAu000621288 2013 US Patent Pending

Landing of the Orange and Blue Spheres, Baltimore Maryland 8-03-2008 Encounter Reports Baltimore Md. This

color texture technology (UFO's) is captured by my cameras. I have taken some of the Worlds most extraordinary

photographs. National Geographic Creative

Sampling actual HD UFO Data files, in the creation of Extraterrestrial Color Texture Bitmaps. We are

experts in UFO (Alien aircraft) flight characteristics and characteristics, based on the experiences of this

research.

UFO Flyby POV Washington DC 4-26-2013 AVID Boris FX BCC Vr2. A more extensive analysis of

this extraordinary Luminous Orange anomaly (UFO). My sample pool of realities is extensive. Working

with extraordinary materials, we can extract data and apply it to visual effects in Motion Pictures and

3D Game Development applications.

© VAu000621288 2013 US Patent Pending

Colors sampled from alien objects on Stills based digital imagery. (D700-D7000 DSLR Nikon)

Partial sample library does not include D4 UFO samples, which are now HD Video application files. I have captured

UFO activity, in close proximity, on video. Our extraordinary video samples serve as reference* files, showing flight

and "cloaking" capabilities of extraterrestrial spacecraft and Stargate's.

Database D4-D4S is a bit more extensive (2015). The initial basis of these materials (Static Bitmaps) has evolved

to extraordinary 60 FPS examples of ET technology with Sounds*. Each UFO is sampled for its unique qualities and

characteristics. We are now D5, ISO 4 Million @ 4K imaging resolution. Nikon cameras imaging systems.

Takeoff of the Orange Spheres 8-03-2008 Baltimore Maryland. Click on image for Video Our extraordinary video

samples serve as reference* files, showing flight and "cloaking" capabilities of extraterrestrial spacecraft and

Stargate's. Dr. Edgar Mitchell on Plasma based alien spacecraft technology (Click on image) HD digital Images

of the Extraordinary: basis of color sampling. The Worlds first HD UFO Close Encounter samples. (Close Proximity)

I posses HD digital files of UFO anomalies in a sampled format. These image files are the basis of UFO Colors.

UFOdc has compiled over 173,000 HD samples to base extraterrestrial color applications from. I have taken and

experienced some truly extraordinary events, on film and HD digital. UFO Colors are RGBCMY Static and Motion

application files created in AVID Media Composer and Boris Fx BCC 2019. Colors sampled from alien objects.

© VAu000621288 2013 US Patent Pending

Orange UFO forensic analysis, based on comparative examination. Click on gradient sample to enter chapter

on Orange Sphere UFO's. Colors sampled from alien objects, that landed in front of me in Baltimore Maryland

8-03-2008.

UFOdc.com UFO Library template. These files are UFO based samples which are unlike any known color on Earth

When your visual effects call for extraordinary colors and textures, use ETCTBmp UFO Texture Applications. There

are no colors like this on Earth*. UFOdc.com is the exclusive source of UFO color bitmaps. Sample presentations

are based on Autodesk/AVID/Boris Fx BCC 2019 technologies. The files are considered to be the best photographic

evidence of extraterrestrial anomalies imaged on film and HD Digital.

AVID Media Composer 2019, 64 Bit Digital Editing

Boris Fx BCC 2019

Nikon DSLR HD

UFO Colors: Extraterrestrial Color Texture Bitmaps for 3D

The application of assimilated alien colors to 3D © VAu000621288 2013 US Patent Pending

All Bitmap Texture File Applications are generated in HD Voyager Class M Planet Click Image to Enter. With the

appropriate virtual lighting applied, the colors can become extremely electric. (Vivid color profiles) Autodesk

3dsmax/MAYA 2016. The 3D samples are for demonstration purposes and are © and Trademarks of

Paramount Studios. I was fortunate to have an original cast member as a friend and Mentor*

*Mike Pataki (Korax, Klingon Commander)

Voyager on Ice planet Demonstration

I thank my dear friend: Mike Pataki, Korax the original Klingon Commander

in Star Trek. Rest in Peace Dear Friend* Deeply missed!

Commander Korax. This character was Mike Pataki's true nature. We would talk for hours nightly,

and I will never forget this true Horror Action Hero. Having cast members as friends in this industry

is a must!

HD Facebook Video Click image above to enter © VAu000621288 2013 US Patent Pending

Colors and textures sampled from alien objects

P-51 Extraterrestrial Color Texture Bitmaps RGBCMY Gradients; Conventional Swatch Color Gradients

Swatch colors do serve a purpose, and not all ETCTBmp colors are appropriate? Colors affect individuals differently,

ETCTBmp affects individuals adversely if

prone to seizures. UFO colors have extraordinary wavelength. They are of unknown Extraterrestrial origins, and outside

the range of the software's used in the analysis and creation of this color sample technology. UFOdc.com is the exclusive

source of this assimilated alien color technology. Alien Modulator Pulse generated in HD, modulates extraordinary colors

sampled from Carpenters P-51 UFO anomaly © WG Allen VAu000621288

© VAu000621288 2013 US Patent Pending

Primary Texture Patterns, 6 of 23,987 Data streams of UFO Bitmaps* Click to Enter

Gradient files. These files apply in place of conventional Swatch Colors

(Standard embedded color profiles).

© VAu000621288 2013 US Patent Pending

Advanced Library Gradients of Lead Right Sphere. Each Color Bitmap is an exclusive HD Static or Motion Application files.

Motion Applications rendered in AVID Technology

Colors extracted from P-51 UFO Anomaly applied to 3D Starship Voyager. Sample used to show

ETCTBmp applications, in place of standard color Swatches. In production (3D), additional lighting and AfterEffects

filters are applied to the visual effect, in motion. This 3D starship, and all 3D starships used are (Copyright Paramount

Studios) and used for demonstration purposes only. In these samples, extracted (sampled) UFO Colors are applied

in place of the conventional color scheme. Warpdrive core reaction are film composites made from

P-51 Lead Right Sphere

3D application with supplemental UFO Colors applied in place of Swatch colors. No particles systems or lighting added

to 3D to enhance colors as they would be in an actual application. These are just to show the colors, not enhance the

effects.

ETCTBmp apply to all 3D rendering applications (Autodesk 3dsmax/Maya) Bryce/Poser and any and all 3D/2.5 D

rendering applications software. 3D objects require color texture applications for realness. Our color textures are

Extraterrestrial Colors.

Bringing the sample into Autodesk Combustion*, we can add luminosity and effects to our ETCTBmp samples

Karen Marcatillio Anomaly (New Jersey), generated a blue signature which matched the J-4 Anomaly of 2002. The

KMA is sampled in multiple frames of HD digital and is of an unknown source. However; it to generated ETCTBmp.

Most, if not all of the UFO anomalies are outside the operational range of the programs used to sample them

*Autodesk Combustion has been replaced by Boris Fx BCC 2019/AVID Media Composer 2019 (64 Bit) technology.

This work is based on technology, as technology evolves, applications become obsolete and replaced by 64 bit

3D compositing applications such as AVID/Boris Fx BCC 2019

AVID Media Composer 7/Boris Fx BCC 8.2. The basis of analysis and examination of UFO objects using program

tracking. (Click on Media Composer to see UFO Footage)

AVID Media Composer 2019 64 Bit Digital Editing

Boris Fx BCC 2019

Voyager (3D) sample with P-51 UFO ETCTBmp Green used as laser weapon.

Composite AVID/Boris Fx BCC 2019

© VAu000621288 2013 US Patent Pending

P-51 UFO Anomaly imaged from US Senate Park, July 16, 2002 onto HD 35 mm Film processed in RMOS technology*

P-51 ETCTBmp Extraction Library, each file an HD Bitmap which maintains the spectral luminosity of the UFO they are extracted

upon. Voyager includes an ETCTBmp called Plasmoid Colors*. These Plasmoid colors refer to the overall characteristics of an

Orange UFO anomaly I encountered in Baltimore 8-03-2008*

Click to Enter Video © VAu000621288 2013 US Patent Pending

Colors and textures sampled from alien objects

ETCTBmp Plasmoid Orange (Click to Enter) The basis of analysis and source of Digital ETCTbmp Plasmoid Orange* UFO This

Worlds First HD Close Proximity sample, generated extraordinary monochrome gradients, however the same object when

imaged in the trees, generated another level of Orange which is applied to the Starship below* Click on image for HD

YouTube Video*

Inclusive of P-51 UFO textures, the yellow/orange content of this 3D Voyager uses HD Digital Plasmoid Colors*, extracted

from Orange UFO anomalies 8-03-2008. These are the Worlds first HD Digital UFO Encounters samples* Starfield: AREA 51.

Though the colors look conventional, the samples are all extraterrestrial and sampled from UFO objects. We are using High

Definition imaging technology, used by NASA and the motion pictures industry.. Nikon HD DSLR camera/lens technology.

Replacing the swatch theme of this 3D model with ETCTBmp colors, and placement into HD environment (D4). The

3D environments can be created using conditions on Earth. For example, the environment used in these samples is

AREA 51 Airspace. These are motion video files of AREA 51 airspace animated with an HD 3D object (Starship).

HD 3D in HD Video components (environments), composite in Combustion*

Boris Fx BCC 2019*. Composite replacement program in AVID Media Composer (64 Bit)

Nikon DSLR HD

Voyager with HD Film & Digital UFO Colors. Replacing the swatch contingent with alien color samples. All 3D objects,

use bitmap materials (samples/swatch colors/modified swatch textures). Variations in color and lighting, along with

detailed bitmap materials, create realness in the effect. My samples are generic, other than the placement of color

texture materials, I have done no other 3D enhancements (particle system) to many of my examples. The primary

purpose is to show the sampled UFO ETCTBmp (Extraterrestrial Color Texture Bitmaps), UFO Colors. All colors are

taken from Airborne Anomalies (UFOs). They are non conventional color textures, that defy the Earthly technology

used to render them. In the begriming, (2002), I used Adobe CS Photoshop, a program based on all known lights and

colors. Hence the name Photoshop (Photographic Correction and Enhancement software). Along with Adobe, I used

AVID HD. AVID is to HD video, as Photoshop is to stills. With the addition of 64 Bit AVID Media Composer 7

and Boris Fx BCC technology, AVID has maintained the image standard in all broadcast and entertainment.

AVID processed video allowed for accurate HD renderings with enhanced visual definition. Our NASA grade UFO

files represent the state of the art in HD imaging technology and Extraterrestrial Byproducts: UFO Colors.

Voyager on Class M Planet*. Stardate Unknown* 3DS in Bryce using ETCTBmp colors on export/import. (click image

to enter). Each UFOdc.com UFO represents a color library within itself. Each UFO is a ETCTBmp Color Textures library*

Assimilated UFO Color texture applications apply too all 3D objects* (Enterprise NG). Enterprise color schemes are

replaced by sampled UFO color texture bitmaps. Extraterrestrial Color Texture Bitmaps (ETCTBmp) are applied in

place of the conventional color profile used in the original 3D creation. Texture layers are replaced by UFO samples.

All color samples are © UFOdc.com/ WG Allen, Starships are Registered products of Paramount Studios, and used for

demonstration purposes only. Star Trek is © Paramount Studios (3D)

Warp Field: Warp field stability demonstrated. Dr. Edgar Mitchell on Extraterrestrial Stargate

Wormhole Technology. There are professionals associated to my work and research. These colors

are the products of forensically authenticated extraterrestrial anomalies.

© VAu000621288 2013 US Patent Pending

J-4 Pulse UFO: Basis of extractions (Version 2 of UFO Video*) currently number 1 @ AVID.com

J-4 Pulse and Foo Fighter UFOs (July 4, 2002) @ The Washington Monument (Forensic Authentication)

HD Film sample, and first UFO documentation of UFOdc.com Film samples are processed in

RMOS technology, Fuji T160 @ 1280 ISO. In 2002, this was state of the art technology, and

UFOdc.com has imaged some extraordinary UFO technology in this year (2002)*.

© VAu000621288 2013 US Patent Pending

3D composite of UFO anomaly J-4 Pulse. Magnetic Field Propulsion (Anti-Gravity), based on field

signatures. However, I now use HD 1080 digital D4/D4S Nikons.

From the cameras, come my latest UFO extraction samples. I have the most extraordinary images in

the World*. Forensic Authentication I go to great measures to assure the authenticity of

my UFO samples* © WG Allen VAu000621288 . All samples presented are registered IP,

unless indicated* (Paramount Pictures/20th Century Fox).

© VAu000621288 2013 US Patent Pending

Karen Marcatillio Anomaly (New Jersey), generated a blue signature which matched the J-4 Anomaly of 2002.

The KMA is sampled in multiple frames of HD digital and is of an unknown source. However; it to generated

ETCTBmp* KMA ETCTBmp are HD Digital Bitmaps. The quality of this sample is an extraordinary match in

luminosity to the J-4 UFO

Motion Picture 3D Animation and Digital Game Developers work with computer generated 3D objects. These objects consist

of layers or programs within a program, to create a specific 3D object (artist interpretation of Digital 3D playable matter).

Using advanced J-4 Colors and the extraordinary level of Blue generated by the Blue UFOs in this series of anomalies (J-4)*

© VAu000621288 2013 US Patent Pending

Click Color Gradient pattern: Forensic authentication

Colors and textures sampled from alien objects (HD Film/Digital)

J-4 Anomaly and RGBCMYK Gradients. Each file created in 64 Bit HD. These extraordinary Blue Colors and the

specific structure of an Unknown Spacecraft* . Extracting upon an extraordinary UFO specimen, its spectral

and luminous qualities, ETCTBmp.

Painted in ETCTBmp J-4 UFO Blue Gradients 3DS F-4 Phantom outside Bolling AFB Washington DC (HD digital environment).

In place of swatch colors, the bitmaps of a UFO. Placing HD 3D into HD Environments (Natural or CGI), ETCTBmp will enhance

the realism of your 3D action object*. These colors are not affective on all 3D objects* The object design may require

segmented color samples. Segmented samples are Bitmaps divided into segments, and applied as separate layers*

ETCTBmp are added to enhanced or replace the conventional Swatch application with a UFO Color Sample. However

ETCTBmp colors are the equivalent to Florescent Paints in comparison to the overall characteristics of these extraordinary

color texture samples* Swatch colors are all Monochromatic single color specific files, while the equivalent ETCTBmp

consists of multiple layers of colors unseen to the eye, however a direct byproduct of these alien colors. What may look

Green has in fact sub layers which are only visible when filters are applied to the sample* These organic watermarks

make these colors easily identifiable when taken without permission* © US Copyright 2004-2011 UFOdc.com

F-4's in attack formation, attack the US Capitol Building: Dr Strangelove remake (concept). 3D Film simulations in

HD. 3dsmax/Maya using UFO Colors. In Avid Media Composer using Autodesk 3dsmax2019 Avid workflow, we can now

generate extraordinary 3D 4K workflow.

The Day the Earth Stood Still, 1950 3D composite using HD film environment 20th Century Fox 3D film (35 mm

film/ video transfer) Composite When the aliens land, they are met by the US Military

Wilbur Allen on Coast to Coast with George Noory * Boris Fx BCC 2019

AVID Media Composer 2019 64 Bit Digital Editing

Boris Fx BCC 2019

3D Saucer with J-4 Colors and Texture Bitmaps applied* to effect. Painted with UFO Color Bitmaps. Saucer Design,

External and Internal operations, Designed, created, and operated by Wilbur Allen. All texture paints on this 3D saucer

are Extraterrestrial. Using ET colors and assimilated byproducts. Back engineering alien objects for commercial color

applications. The colors applied are from UFOs. UFO Research at UFOdc.com.

Click on image to enter video sample*

© VAu000621288 2013 US Patent Pending

J-4 Colors and P-51 Texture applications applied to3D Saucer. ETCTBmp UFO Colors are specific to each unique

anomaly*

Changing the outer cone bitmap to a shade of Blue darker than the applied texture above* Painted with UFO Color

Bitmaps The substitution of conventional Swatch color technology with assimilated alien color bitmaps. J-4 Pulse

UFO Encounters in Space: 3D simulation in HD using bitmap samples extracted from UFOs (ETCTBmp). Working

with sampled UFO color textures, which maintains the spectral luminosity of the UFO's they were extracted from.

Using sampled colors from extraterrestrial anomalies, this 3D saucer is painted and placed inside an HD environment

(Hubble) The Static or Motion Bitmaps are applied to Grouped 3D Saucer* Painted with UFO Color Bitmaps (J-4 Pulse

ETCTBmp)

Saucer at Warp. Saucer is painted with sampled UFO bitmaps. Bitmaps are sampled from either HD film or HD digital

image files, captured by UF0dc.com. We have upgraded and use advance HD imaging technology to render our effects.

J-4 Pulse

Exiting warp and entering into Normal space. We attempt to simulate conditions relative to exiting warp.

J-4 Pulse Extracted color texture bitmaps for 2D/3D

Painted entirely in J-4 Colors, (film based samples) are the first level of extraterrestrial bitmaps. The film maps are

forensically matched by NASA JPL files imaged during Gemini/Apollo Space programs. The basis of all ET Bitmaps

are UFOs. Anomalies (UFOs) captured by my cameras are analyzed and sampled, rendering bitmaps for 3D/2D

applications. Motion pictures special effects are built on color texture bitmaps. UFO Colors are built on UFOs.

Using sampled extraterrestrial color textures, and applying them too HD 3D object, created with individual

grouped components. Each group painted with a sampled alien bitmap* J-4 Pulse.

Saucer Materialization: NBCUniversal The Weather Channel UFO Animation

My saucer materializes into the storm area. Its there to absorb the energy generated by the storm

It is unaffected by the forces of the storm.

Fully materialized, the saucer extracts the raw energy from the storm, using a technology which draws energy

through induction. Tesla technology.

Discharged electrical energy from the tornado, is absorbed inductively, and stored within the saucer in storage cells

much like rechargeable batteries. Click on image for Weather Channel: Twisted Believers animation. 3D UFO saucer

uses bitmaps extracted from the video environment, and UFO Colors*, both static and motion bitmap samples. The

vibrant colors are extracted from the Worlds best UFO samples.

Alien character: The Outer Limits 1962 (Non computer visual effects: Blue Grid)

HD 3D video composite from B&W video stream, 1962, using RMOS film effect in 3D compositing

technology Their world is different (Boris Fx BCC 8.2 NR)

AVID Media Composer 2019 64 Bit Digital Editing

Boris Fx BCC 2019

J-4 Color Gradients RGBCMY based on Anomaly. The J-4 Pulse sample has spectacular color luminosity.

Colors and textures sampled from alien objects © VAu000621288 2013 US Patent Pending

Enhancements in Autodesk Combustion add flare to placed bitmaps. Here the saucers engine has Glow added to the

effect* Painted with UFO Color Bitmaps. Some Bitmaps are generated in Organic Gradients. These gradient byproducts

are the extraordinary color texture files applied to this HD 3D saucer. Gradients are HD Film/Digital applications that

apply to all 3D Objects* that require Bitmap paints. RMOS Film based Textures Bitmaps are an added bonus to

3D developers. RMOS NGM effects are created in radiation enhanced chemistry*

Painted with UFO Color Bitmaps

After textures are applied to each component of the saucer. The saucer is grouped as a single component: Saucer.

The saucer is painted and introduced into HD Digital environment, ready for film action. Lighting and texture artist can

further enhanced the effects in adding appropriate conditional variables to the painted areas*. These samples are

straight ahead and without supplemental additives. The colors are ETCTBmp UFO Colors.

Nikon DSLR HD

HD 3D Composite made from 1962 film transfer: The Outer Limits

Saucer Attack in Baltimore Maryland* Painted with UFO Color Bitmaps

Each UFOdc.com UFO represents a color library within itself. For each UFO is a ETCTBmp

Color Textures library*

© VAu000621288 2013 US Patent Pending

Plasmoid White UFO Color Texture Bitmaps. Colors and textures sampled from alien objects. Sampling from

extraordinary files, the attributes associated to an extraterrestrial anomaly

3D saucer painted in AREA 51 Airspace Starfield (cloaking), the saucer dome P-51 Green Modulator Pulse mixed with

July 4th fireworks at the Washington Monument, 3D composite in AVID/Boris Fx BCC 2019. The mixing (compositing) of

samples from the P-51 Pulse sample (above) and the fireworks Kaleidoscope sample (below), to create the dome effect

on this 3D saucer. Understanding higher resolution 3D object requirements when applying texture bitmaps generally

requires a higher definition bitmap to render its fullness. I compare it to putting regular gas, in a car designed for

Hi-test? There is a performance issue when running lower end fuel in a system designed for High octane. The system

just does not perform. However; when high octane is used, it operates as designed. Using an HD bitmap on an HD 3D

object. My sampled ET Colors are all HD based on the sample. All UFOs are sampled in color spectrums, equivalent of

RGBCMY gradients. Considering I'm using advanced Human technology to assess data from extraterrestrial objects.

Here the HD bitmaps are the imaged frame of AREA 51 airspace, the P-51 Modulator Pulse mixed with fireworks.

The effect used on the geosphere dome of the saucer is most exceptional! A mix of ET and conventional events

to create an autonomous visual effect The effects are translations of files applied to 3D objects.

Groom Lake: AREA 51, Nevada. We go through extreme measures to obtain our samples* Digital environments

High Definition Full Color Night Vision, Nikon Video technology

UFO AREA 51 Groom Lake. An exceptional HD sample of a luminous orange UFO in flight.

Nikon DSLR HD

Colors and textures sampled from alien objects © VAu000621288 2013 US Patent Pending

The basis of UFO ETCTBmp Color Applications (Static & Motion). Motion files rendered in AVID Technology. UFO Color Texture

Bitmaps UFO ETCTBmp apply to all 3D applications which require paint*. In place of the conventional, use an assimilated

Alien UFO Color Bitmap. Colors composite nicely to effects and objects that are supposed to be alien, look alien. ETCTBmp

generate excellent Spatial Environments* ETCTBmp and RMOS visual effects apply to all 3DS, 2.5 D, and 2D (Photoshop)

image parsing applications.

Poser 8 using UFO Colors. UFO Coors apply to all 3D applications that use Bitmaps. UFO ETCTBmp Colors apply to

any and all 3D rendering software applications. The application of ETCTBmp to all internal objects inside the Alien

Master Control sequence. The videos associated to the image samples are for demonstration purposes only.

I am limited in the creation of my visuals. Though created in 3D, a 3D artist can fully create the desired visual

effects*. However; this is to show, the ETCTBmp's apply to all 3Drendering applications. ETCTBmp

are www.UFOdc.com products, and generated in the USA via E. T. These are authentic HD UFO samples,

origins Unknown?

http://www.UFOdc.com / NGM/Fox News/MSNBC/Politico

Bitmap extracted from U-HD image files

© VAu000621288 2013 US Patent Pending

J-4 UFO Foo Fighter ETCTBmp are HD texture Maps with organic gradients. These are non conventional

Gradient colors generated from J-4 Pulse UFO sample, imaged July 4, 2002. The UFO associated to this

sample, was encountered on the Moon by Buzz Aldrin during Apollo 11 in 1969. My samples are matched

with NASA JPL imagery from Apollo Moon mission files. What was encountered in Space during these

missions, is now on Earth. Eye witness accounts, News Network coverage and descriptions are are

accurately represented by my samples. Sampling from alien objects to generate alien effects.

P-51 UFO ETCTBmp B are HD texture Maps with organic gradients.

Colors and textures sampled from alien objects

Click to Enter

Final Product: Alien Master Control Sequence: Inside the saucer painted exclusively in UFO gradient ETCTBmp P-51

UFO Colors Generating alien effects using alien colors* The samples shown, demonstrate the usage of ETCTBmp

in these programs. A 3D artist and game developer will certainly know how best to use these extraordinary Colors

/Textures ETCTBmp*. There are no other colors or textures like this on Earth, because they are not from

Earthly Objects* UFO. UFOdc.com has the largest HD Forensic image samples (UFOs) on Earth. Our Color

Textures maintain the spectral luminosity of the UFOs they extracted (sampled) upon. Sampled under

extraordinary circumstances, these physical samples are considered the Best in the World. With extreme

photographic standards, I have been able to capture events extreme to our levels of perception. Though

unseen, seen nevertheless. These image captures are the basis of ETCTBmp Color Texture Applications.

(Static and Motion ETCTBmp)

All color samples ETCTBmp. UFO Colors applied to 3DS Giving 3D Effects a Comic Book feeling. Motion Composite

using Boris Fx BCC 2019, a 64 Bit application, in AVID Media Composer 2019. The color applications are both Static

and Motion files, applied to HD 3D objects. Colors and textures sampled from alien objects. While in development, I

showed this pulsing file on a HD video monitor, to an associate. I did not anticipate his reaction of this file, nor did

I know he had experienced a Close Encounter with an unknown object? At one point in the viewing, he started

shaking in fear? He then stood up and started screaming. At that point, I ended the program and attempted to

calm him down from a fit associated to being scared, during an alien encounter. The modulator files could cause

seizures in those that have neurological disorders triggered by extreme colors/fear. If I did not see this for myself

I would be in error not to mention the effects of extreme colors on certain individuals. (Technology upgraded)

3dsmax2018 and DNxHD145- Ultra HD. Using sampled ET texture maps applied to 3D objects.The object is to give

your 3D work of art, extraordinary colors, extracted from extraterrestrial spacecraft. Our initial ET products are HD

Analog 35 mm film, film scan direct, using Nikon Coolscan technology (2002-2008). What is captured on film, cannot

be recreated. The preservation of the image files (35 mm film) is achieved in a direct film scan. The resulting scan

products preserved indefinitely, the analog image translations from 35 mm film. At the time, my RMOS film imaging

capabilities were unsurpassed, achieving an extraordinary grainless ISO 12,800 image, using ISO 400 film. Until 2008

my technology ruled. It was quickly dethroned by Full Frame Digital (ISO 25800-51200). I'm now ISO 204800 Full

Spectrum Infrared, ISO 409600 through ISO 4 Million, Hyper Full Color Night Vision. These specifications are subject

to change, as our systems and technologies change.

© VAu000621288 2013 US Patent Pending

Modulator Colors: This is a GIFF file, the actual modulator file is much faster* National Geographic file.

Colors and textures sampled from alien objects

Alien Commander 3DS using ETCTBmp UFO Colors and RMOS 3D environments. Giving 3D Effects a Comic Book

feeling. All colors are UFO in origin* Extraterrestrial Color Texture Bitmaps ETCTBmp P-51 Modulator and J-4

ETCTBmp applied to 3DS. Aliens designed to scare, and entrance you with alien colors*

Giving 3D Effects a Comic Book feeling

3D wrap materials give 3D objects snap!

AVID Media Composer 2019 64 Bit Digital Editing

Boris Fx BCC 2019

© VAu000621288 2013 US Patent Pending

Colors and textures sampled from alien objects

RMOS 3D Environments (Non computer graphics)

Non computer generated film effect © VAu000621288 2013 US Patent Pending

RMOS 3D Environments (Film/Digital) Film Environments are custom made for motion pictures. Film texture vs Digital

Alternate reality extraterrestrial perspective. We have elevated the standards in incorporating HD 3D into 4K Full Color

motion picture Environments. MOst bitmaps are motion applications. The visuals are constantly modulating

different patterns. Texture maps apply to 3D objects

Baltimore, Maryland. 4K Full Color Night Vision

Crystalline ETCTBmp generated from Logan Anomaly UFO (Non computer graphics HD)

© VAu000621288 2013 US Patent Pending

© VAu000621288 2013 US Patent Pending

Visual Effects generated in Avid Media Composer 8.8.1 and Boris Fx BCC 11 (Click on image for video effect)

CMT's My Big Redneck Vacation: Shootin at yur aylien Frenz Welber (Wilbur): AREA 51 Expedition team leader with

"Gun Packing" Rednecks.

D4 Hyper Full Spectrum Infrared 760nm (UV glass in widows generated the extreme mirror effect) (Upgraded)

My systems are now Frankenhubble (Full Spectrum INfrared/Ultraviolet/X-Ray) ISO 4Million. NASA Hubble is ISO

1600.

Hyper FSIR D4 Nikon now upgraded to D5 FSIR Hyper Color IR

Full Color Night Vision @ HD 1920 x 1080 and HD 4K. I can image in any lighting conditions, full HD Motion Picture.

UFOdc.com can image in ranges from ISO 50, too ISO 3.9 Million*. *(Not recommended, however possible, due to

granular distortions. However; full color night vision has evolved into extraordinary imaging technology.

Ambient Light Motion Pictures (4K U-HD) 60fps AVID workflow.

Requiring no light, anywhere can be an instantaneous movie set.

We specialize in nocturnal and extreme environments. My paranormal investigation of Erie Pennsylvania with the RIP

and Hangar 1 crews. Ken Ballos interviews Tony Angiola (Hangar 1) owner of the haunted mansion we investigated.

Click on image to check out the footage*. I've upgraded since this production, however; my upgrades are at this level

at a much finer level, and with significantly less light. (Directly above this sample)

Hyper Color IR U-HD 4K

DC Eclipse 8-21-2017 Time Warp (IR Super Blue). Filmed 950nm IR @ ISO 4000 using 1/8000th of a second shutter

speed at f/22. The 200 mm lens is totally closed down. Though (visually) through the lens, nothing is seen (950nm) is

totally black (to the human eye), the camera D4 FSIR experienced superheating, and required shielding from the Sun.

The 1/8000th of a second shutter speed is designed to perfectly freeze action (high velocity objects), using f/22

(totally closed down), everything within the subjective focus is in 100% focus.

Nikon DSLR HD

Aliens on the Moon (Buzz Aldrin/Neil Armstrong/Edgar Mitchell)

My Big Redneck Vacation UFOdc.com: Wilbur Allen AREA 51/Sedona Expedition Team Leader

Wilbur Allen: Director of Photography/Inventor: UFOdc.com

Will Allen: Air Force One Eng. Presidents Ronald Reagan/George HW Bush/William Clinton

ETCTBmp Color Texture Bitmaps are American Made

National Geographic Creative (National Geographic) does not represent Professional African American Photographers*.

There are no Black Americans here! Click on link, no Black faces.

UFO Forensic Files e-Book* On AMAZON.com

AVID Media Composer 2019 64 Bit Digital Editing

Boris Fx BCC 2019

Nikon DSLR HD

Dr. Edgar Mitchell: Thank you Dear Friend-Rest in Peace 2-04-2016

The 27th and 28th James A. Porter Colloquium on African American Art: Produced by Wilbur Allen & Olivia Drake

(Ph.D.) Howard University Department of Art. This production is filmed entirely using existing light. With nocturnal

lens and high ISO, I was able to record the entire event in the conditions in which it was produced. Using 3dsmax

2016, ProTools 2019 (Audio components), and AVID Media Composer 2019. All files mastered DNxHD145 Avid

Workflow. (Ultra HD 4K Full Color Night Vision: ISO 4 Million) This is an Educational Tool and has been produced

for Educational purposes, by Wilbur Allen. The James A. Porter Colloquium on African American Art is the creation

of Dr. Floyd W. Coleman Dr. Coleman's artwork can be seen here

This body of work was created entirely by Wilbur Allen without Howard University assistance, or technology.

UFOdc.com is not associated with Howard University.

Dr. Wilbur G. Allen, PhD (Advanced Imaging Systems: Hyperhubble)

Please Donate to help further this UFO Research

This work is Protected under US Government PTCO © WG Allen VAu000621288