UFO Colors: Extraterrestrial Color Pattern Bitmaps for 3D Motion Picture

and Game Development

Assimilated ET Color Pattern Gradients for Motion Pictures

Special Effects and 3D Game Development

© VAu000621288 2013 US Patent Pending

The Samples and Colors are extracted from Extraterrestrial sources.

Masthead History

Missing in Alaska:Alaska's Body Snatchers

Mount Hayes Alaska: Extraterrestrial Wormhole-Portal

Body Snatcher 17

Missing in Alaska:Alaska's Body Snatchers

Missing in Alaska 2.jpg

Missing in Alaska; Friday's on the History Channel

Mount Hayes Alaska: Extraterrestrial Wormhole-Portal

"Missing in Alaska"

Body Snatcher 72

Missing in Alaska A UFO Over Mount Hayes-History (-60 Below Zero)

The Weather Channel

Tornado Alley

Tornado Alley-Twisted Believers Wilbur Allen UFO

NBCUniversal

Contact: UFOdc@aol.com

donate to UFOdc.com

UFOdc.com is a Professional Research and Production organization. These are authenticated UFO color

extracts. Our associates include esteemed Astronauts, NASA Scientist, Dr. Edgar Mitchell and others.

Using Nikon D4-D4S-D5 technology to analyze the skies, I am able to see what the human eye does not.

Capturing a fraction of a second sequentially, in a series of frames, using high definition optical

technology to forensically show the validity of each documented sample. UFOdc.com YouTube channel,

has video analysis and supportive data relative to each sample, if applicable. If there are UFO's, we

will find them, or they find us!! We will come too You ($).

Let us capture your UFOs! Contact us: UFOdc@aol.com .

Uncovering Aliens on Discovery's Animal Planet

Discovery Science

UncoveringAliens

I am Proud to be a cast member (in my series in Sedona) to Uncovering Aliens on Discovery's Animal Planet/

Discovery Science/American Heroes

I am Proud to be a cast member (in my series in Sedona) to Uncovering Aliens on Discovery's Animal Planet

This version of Uncovering Aliens is enhanced with actual HD digital footage. It may not be advisable for children*

Modulator colors P-51 Green UFO ETCTBmp

This ET Color Texture Application Library is created from sampled UFO Files.

Our primary source colors are HD film based samples, captured by my cameras from 2002-2013.

We have upgraded our technology and have gone to extreme locations

(AREA 51 Nevada, Sedona Arizona, Baltimore Maryland, Washington DC)

to obtain these Extraordinary HD Digital image samples. I have taken some exceptional

images of airborne anomalies (UFOs) using the finest optical technology on the market.

All samples Nikon Film: (F-F5/F-100S) HD Digital or (D700/D7000/D4/D4S). The basis

of my imaging (HD Stills and Motion Picture Video) technology is Exclusively Nikon

Nikon USA/Japan

Nikon DSLR HD

NPS USA

The Search for ET Portals and Bases: AREA 51/Sedona/Washington DC

The Search for ET Portals and Bases: AREA 51/Sedona/Washington DC (National Geographic)

Colors for Motion Pictures Special Effects and 3D Game Development

Extraterrestrial Color Texture Bitmaps. ETCTBmp have Organic 3D qualities (ETCTBmp)

Many motion pictures special effects are rendered in 3D software, such as 3dsmax/Maya,

and other programs on the market such as DAZ studio and Bryce, use colors, and color

texture bitmaps to render realness to a 3D object, within these programs. Generally they

are operating on conventional RGBCMY colors, which are relative to all programs that paint

or render 3D effects. Conventionally generated, and defined within all programs, as generic

colors. UFO Colors are non defined in origin. We cannot define that which is unknown?

However; the samples defy conventional analysis.

Wilbur Allen (UFOdc.com) YouTube Channel is founded on advanced technology (Nikon/Avid/Boris Fx)

How Ironic

How ironic!

US Capitol Lead Manifestation, the US Capitol Building July 16, 2002

Please be mindful that all Color Texture samples in this work, are Registered US Copyright ©

© VAu000621288 2013 US Patent Pending.

Buzz Aldrin: Apollo 11 footage in Space of Green UFOs (Click on image for video)

The UFOs of which these color elements are extracted, generated extraordinary levels of color,

which I processed through various levels of technology. Object UFO was initially imaged

in Space by Apollo 7 and Apollo 11 (NASA JPL 1969). This sample was imaged using

F100S Nikon and Fuji color 35 mm film processed in irradiated chemistry (RMOS), a technology

I invented in Los Angeles for motion pictures effects. The initial film file is scanned directly

from the film, and rendered in 14 Bit HD digital at 35 mm perspective. This HD film scan

is then sampled and generated in RGBCMY gradients. However; I'm using NASA grade imaging

technology now (AREA 51), and my digital UFO samples in HD are the second phase of UFO

Colors. Bitmaps from the Worlds Best "Alien"sources: UFO's.Page Best Viewed with

3D Glasses*

UFO Colors

© VAu000621288 2013 US Patent Pending

Colors and textures sampled from US Capitol UFO. Each texture sample is High Definition. Some files

incorporate motion aspects (Motion based bitmaps) See Modulator Pulse sample(s) below. The colors

sampled from these objects have color attributes that are unlike any similar known Swatch color. The

wavelength of the specific colors is outside the range of the conventional technology (Advanced) used

to analyze and manufacture these exclusive color textures:

(Adobe CS 5/Avid Media Composer/Autodesk 3dsmax-Combustion). All texture maps apply to 2.5D-3D

rendering software's.

UFO Colors AVID

Our new Ultra HD Swatch Technology is rendered DNxHD145 HD. The high definition static and motion replacement

UV Texture Maps are refined and extremely vibrant. There are no colors like this on Earth! That's because they're

not from Earth. We can't tell you where they're from, or who's piloting them? However; we can show them to you

in scientific forensic grade samples.

Carppenters P-51 Anomaly

© VAu000621288 2013 US Patent Pending

Enter AVID Video: UFO Colors: US Capitol P-51 UFO Anomaly (UFO Music Video) Very abstract.

The color samples used are extraterrestrial in origin* I can't possibly tell you where they come

from? My pages are hot (linked to other pages and videos). Best listened through digital

headphones* HD Video and audio streams are quite Entertaining* This work is based

exclusively on HD UFO samples © Wilbur G. Allen

Carpenters P-51 ETCTBmp Application (Forensic Files) 

© VAu000621288 2013 US Patent Pending

Color texture samples extracted from HD Film and Digital UFO samples. Modulator pattern applied to

sample* ETCTBmp J-4 Colors (3D Color Textures). Best if viewed with 3D glasses .

The basis of visual effects exemplified by forensically authenticated UFO evidence, HD Film and Digital data.

Nikon F100-S 35 mm film image capture using Fujicolor 800 @ 1240 ISO. 3.5 minute exposure of 100%

stationary UFOs over Lower US Senate Park, the US Capitol Building. Using Apollo 7 and 11 visual data

files (photographs 35 mm), we can easily conclude the objects imaged are indeed, Extraterrestrial. The

differences between the NASA Apollo files and that which I own, are technological. Both samples film,

however; my 2002 samples are on Earth and not in outer space. My samples are also closer in proximity

than the NASA files of 1969.

Media Composer 2015

Each sample is an HD still or video application color. All ETCTBmp samples have Organic

Watermarks. Video image processing and analysis using AVID Media Composer and

Boris Fx BCC 8.2, 64 Bit technology. This research is built on Advanced Technology

Avid Media Composer 6.5

AVID Media Composer 8.6.3 (4K) 64 Bit Digital Editing

We have substantially upgraded.

BORIS FX

Boris Fx BCC 8.2

Carpenters P-51 UFO imaged from Lower US Senate Park

Click to Enter AVID HD Video featuring Dr. Buzz Aldrin and Apollo 11 footage (HD 16 mm Film) 1969 JPL

Carpenters P-51 UFO Anomaly imaged from Lower US Senate Park. The basis of analysis and source(s) of ET

extraction colors. UFOdc.com has exclusive bitmap applications, all originating from the Worlds Best UFO image

files. This page uses AVID.com, YouTube UFOwga page, and FaceBook (Will Allen's page). Please click above

some of the images to access HD video relevant to the subject or Color (ETCTBmp)

1952 US Capitol UFO Flyby Film Analysis . In 1952 from an optional vantage point, an individual with a 16 mm Bolex

camera filmed the UFO flyby @ the US Capitol. In the 360 frames of analysis materials, 358 axial corrections had to be

applied for drift associated to being "hand held". It is an impossibility that this footage is an animation. Bolex 16 mm

http://ngm.nationalgeographic.com/myshot/gallery/26800#/gallery/298067/

http://ngm.nationalgeographic.com/myshot/gallery/26800#/gallery/298032/

We have a plethora of ET samples to extract data from:

5-31-2015 UFO Sphere Close Flyby SOUND analysis Complete

5-31-2015 UFO Sphere Close Flyby SOUND analysis Complete. I've never heard anything quite like this? My only

description is "Terminator Time Sphere" meets "Ultraviolet Bug Zapper", when insects fry upon contact with

electrodes. (Forensic sample). This is a 100% match to the objects the flew by the US Capitol Building Dome

July 16, 1952 (below). A comparative basis of analysis:

1952 US Capitol UFO Flyby Film Analysis

16 mm Bolex motion picture footage taken the US Capitol Reflection Pool POV, July 16, 1952. The footage was filmed

hand held. The 16 mm Bolex motion picture camera was popular in the 1950's. Based on the triaxial (x, y, z) motions

associated with this original footage.

US Capitol Analysis 1952 3dsmax2016

Bringing the 16 mm Bolex motion picture footage into 3dsmax2016, I placed a virtual camera in a fixed position,

targeting the US Capitol Dome center below the statue pedestal mount, as shown above. The red squares below

the red line, indicates camera corrections performed within the 360 frames of action within this extraordinary 16

mm film footage. Without degradation in film quality, a DNxHD145 video file is created in IMAX format. Applying

Boris Fx Image Restoration (NR) noise reduction, I was able to create more refined samples of this event to build

a forensic profile based on this original 16 mm footage. The endeavor associated to this research was to

authenticate the footage, and it did through an extensive frame by frame corrections analysis. If this was an

animation, there would have been uniform frames throughout the entire clip of 360 frames. However 354

corrections were applied to the footage to make it somewhat linear. If this was animation, there would have

been uniformity in each frame. There is not! The lack of uniformity and 354 required (x, y, z) corrections,

make this highly unlikely to be an animation.

Originally created from extraordinary physical samples, captured on HD film and developed using RMOS technology.

RMOS is an Irradiated 35 mm film image product. This technology is now Retired. The products are reassigned to 3D

map products for Film and Game Effects.

RMOS film and HD Digital samples, are the basis of analysis and source of ETCTBmp color extractions.

Modulator color

© VAu000621288 2013 US Patent Pending In many UFO reports, witness reported modulating colors and lights on

UFO anomalies. However; few have

documented such events with a level of detail; as UFOdc.com.

Assimilated (Sampled) Alien Color Technology: UFO Colors. RGBCMY Color pulse-Modulator Colors*

US Capitol P-51 UFO Anomaly*. The colors are alien in origins, and not conventional Swatch range colors. These

are UFOs. Carpenters P-51 Modulator Pattern: are a series of images of the Lead Right Sphere in RGBCMY gradients,

(Motion File) of the Lead Right Sphere on the Carpenters P-51 UFO Anomaly* This is a GIFF file, the actual modulator

file is much faster. Motion files are HD AVI files made from extraordinary high definition files exclusively of UFOdc.com.

Using AVID 8.6.3/Boris Fx BCC 8, 64 bit technology. Our exceptional visual files are extracted (sampled)

from the Worlds best samples.

http://ngm.nationalgeographic.com/myshot/gallery/26800#/enlarged/68524/

The physical samples of which this series of colors is extracted upon

as seen in National Geographic Magazine, shows the spectacular documentation in an enhanced sampling . These

are the Worlds best physical samples and a product of the United States of America via Outer space. All Bitmap

Texture File Applications (static/motion files) are generated in HD

 

Carpenters P-53 UFO

© VAu000621288 2013 US Patent Pending

Level 1 color technology (film): Carpenters P-53 UFO

Gradient files. These files apply in place of conventional Swatch Colors (Standard embedded color profiles).

ETCTBmp Carpenters P-51 UFO Anomaly

© VAu000621288 2013 US Patent Pending

Colors and textures sampled from alien objects, green sphere formation imaged at the US Capitol Building 7-16-2002.

Carpenters P-51 UFO Lead Right and Rear Right Sphere, in series of 4 Spheres (Click on picture) The Avid Video shows

motion Files Applications generated from HD Film samples of UFOs. However, we have evolved to HD Digital, and have

some of the Worlds most extraordinary and exclusive HD Digital UFO images.* Possible explanation on UFO Coloring

P-51 Anomalies

© VAu000621288 2013 US Patent Pending

Show 1 Carpenters P-51 Gradients as seen on George Noory (Click on image) for Coast to Coast

Show 2: AM Coast to Coast: UFO Forensic Files

UFOdc.com is considered news worthy by National and International Media.

Comparative analysis of Green Sphere UFO NASA JPL

5-31-2015 UFO Green Sphere SM SDM WARP Analysis

5-31-2015 UFO Green Sphere SM SDM WARP Analysis. The return of the Green Spheres was indeed inevitable.

This is the second capture with exact characteristics* to the file below this. 7-18-2014 UFO GREEN Sphere SM

SDM Analysis

Avid Media Composer 6.5

AVID Media Composer 7 64 Bit Digital Editing

BORIS FX

Boris Fx BCC 8.2

Motion Picture 3D Animation and Digital Game Developers work with computer generated 3D objects. These objects

consist of layers or programs within a program, to create a specific 3D object (artist interpretation of Digital 3D

pliable matter). Generally, the effects are manipulated using additional programs within these programs to enhance

or modify an effect. The basis of these animations is conventional Swatch color technology . Gradients of RGBCMY.

In place of those colors, ETCTBmp*

AVID MediaComposer 6.5

My company strives on State of the Art technology in the analysis and creation of ET Texture Bitmaps. These

sampled alien colors are rendered in Static and Motion applications. Initially rendered in 32 Bit digital technology, we

have regenerated all color texture bitmaps too 64 Bit specifications. AVID editing and Boris Fx BCC 8.2 technology is

used in the manufacturing of motion texture applications. These are Next Generation 3D color applications, sampled

from exceptional HD sources.

Apollo 11-US Capitol UFO Comparative Analysis

© VAu000621288 2013 US Patent Pending/ NASA JPL 1969

Apollo 11 Authentication* Apollo 11-US Capitol UFO Comparative Analysis. The texture materials are authenticated..

These are Extraterrestrial Anomalies. The HD sampled texture applications are extraordinarily vibrant. There are no

color samples like this on Earth. Click on analysis to see video of anomaly on Earth & in Space. © Wilbur G Allen

VAu000621288, US Patent Pending 2012. There are Organic Watermarks associated to these samples.

New Jersey UFO Paranormal Consciousness Conference Wilbur Allen-UFO

Doing on site field research in exclusive areas of analysis, such as AREA 51 Nevada, The Arctic Circle (Northern

Alaska), Sedona Arizona, Kokomo Indiana... the objects documented are all the same. A large Band of Light,

much larger than 2 aircraft carriers. I witness and document them in their Native Environments in HD. This data

represents Level 1 Full Color Night Vision (ISO 204800). My current systems are substantially upgraded, starting

at ISO 409600 and extending to ISO 4 Million. Though this material is indeed visually attractive and totally

compelling, it has since been extensively upgraded.

Sedona UFO Sudden Manifestation 4-07-2013 NGM reference frame

Sedona UFO Sudden Manifestation 4-07-2013 NGM reference frame AVID/Boris Fx BCC 8.1. We film in absolute

darkness using extreme camera sensitivities (51200-204800 ISO). To control noise, Boris Fx BCC 8.1 (NR)

Boris Fx BCC 8.1 Noise Reduction is applied to HD Video (above). This is Time Lapse Photography @102400

ISO. Each frame is 1/20th of a second (1/24 of a second is Motion PIcture Sync rate). The camera is

programmed to fire 1 frame every second for any given period of time, up to 8 hours. If things happen

every second, then based on a frame per second, this shows that this indeed the truth! My cameras

captured UFO's suddenly materialize into the image frame area. This explains how Radar Blips show up

on the radar screens, suddenly! It also explains how that radar blip suddenly vanishes from the screen!

Our data has substantially upgraded with each upgrade in camera imaging technology. The authentication

of UFOs forensically, has paved the way for truthful disclosure. (?)

Nikon USA/Japan

Nikon DSLR HD

Nikon Camera Control Pro 2

Nikon Camera Control Pro 2 for D4/D4S/D5 DSLR HD Systems. UFOdc uses autonomous fire direct access wireless

technology on all camera systems

UFO Close Encounter in Sedona AZ part 2

Part 2 of UFO Close Encounter in Sedona Arizona 4-07-2013 (Click on image for AVID/Boris Fx BCC 8.2Video)

This explains how Radar Blips show up and vanish, suddenly from the screen! This is film footage, no CGI technology

is used to render this extraordinary footage. Other than BCC NR noise reduction and Time Warp applications, all video

is as filmed during each event. Filmed in Time Lapse mode, we are now focusing on Real Time applications in the

documentation of UFO anomalies. We now have Real Time Video in HD of UFO's going to Warp (as in Star Trek).

Please go to my YouTube Channel for extraordinary documentation of UFO events in Real Time HD. Please play all

videos in HD 1080 mode. There were those that thought these samples were the results of slow shutter speeds,

forensics proves they're not. We have Infrared and High Speed Motion Pictures using Full Color Night Vision cameras.

Band of Light UFO

10-21-2016 UFO Band of Light 2 Tracker Full Analysis

The Band of Light UFO first documented by Grumman Ground Satellite Tracking technology in 1960. It resurfaced

in 1986 over Alaska following a Japan Airlines Flight 1628 Jumbo Jet. The capabilities of this anomaly are exceptional!

With its ability to bend time, and go to maximum WARP acceleration are admirable! This sample represents current

levels of imaging advancements. We are Full Color Night Vision @ 60 frames per second in zero light.

D5U_2126 UFO Band of Light SM WARP Analysis_000136

Forensic documentation of Extraterrestrial Spacecraft based on a plethora of photographic physical evidence.

10-26-2016 UFO Band of Light FB Tracker Analysis

Think again, if you assume this is CGI, the purpose of the sample is to show forensic authentication based on

comparative results and analysis. With varying degrees of samples, showing this object both coming and going,

and everything in between.

Establishing Forensic credibility

Now documenting UFO events at 1/125th of a second shutter speed/ 60 Frames Per Second, under nocturnal conditions

How odd, that I would image this very same event again, however; now directly (90 degrees) over my home. Our

systems are designed for extreme environmental conditions and environments. Working under National Geographic/

NBC/CBS/ABC/Fox News standards (Network News). My professional background includes 35 mm Motion Pictures

which I have a patent in Film Development (now retired), however; operational upon request. Film does still have

a place in visual art and esthetics. I suggest you go to my Youtube Channel for extraordinary HD UFO

documentation. The videos are created in HD, however; reduced 85% (for Internet HD). My videos are

processed in WMV 1080 8 mbps format from full format 1920 HD QT AVID HD Dx video/AMA Link. Purely

Broadcast Standards with Motion PIcture Applications in mind, using colors from Extraterrestrial origins.

Wilbur Allen: YouTube Channel

Wilbur Allen's www.UFOdc.com YouTube Channel is built on advanced imaging and processing technology. Nikon

camerasF-100S 35 mm film with Nikon Direct scan technology for 35mm film/ DSLR HD: D700/D7000/D4/D4S/D5

24/30/50/60 FPS @ 25600-409600 ISO. Pure Full Color Night Vision Technology (D4/D4S Digital cameras)

Nikon USA/Japan

UFOdc uses Nikon D4-FSIR/D4S/D5 imaging technology

UFO 4-08-2013 Sedona Arizona

UFO 4-08-2013 Sedona Arizona. Extraordinary Nikon HD video footage of UFO, filmed at 102400 ISO and processed

in AVID Media Composer and Boris Fx BCC 8.2 technology (From BBC/Discovery Channel UFO Special:TBA). I now

have a real time 60 FPS sample of this UFO anomaly, please go to my YouTube channel for details...... This is Not a

"Shooting Star"!

5-04-2014 UFO Portal 1 WARP Flyby Analysis

Here's the proof: 5-04-2014 UFO Portal 1 WARP Flyby Analysis

8-13-2014 UFO Cylinder Green tail WARP Sound Analysis

Propulsion Matrix: Green Beam UFO.

8-13-2014 UFO Cylinder Green tail WARP Sound Analysis. There were sounds associated to this event, and the

camera recorded them. Sound generated by anomaly is 100% consistent with sounds generated by a similar object

recorded 5-04-2014 in the same airspace

1-05-2017 UFO Cylinder SM SDM Full Tracker Analysis 1

1-05-2017 UFO Cylinder SM SDM Full Tracker Analysis 1. Clearly we see this object incrementally materialize into

the airspace.It has a cylindrical shape defined by "round" medicine capsule front and rear definitions.

5-04-2014 UFO Beam of Light Entry Analysis

5-04-2014 UFO Beam of Light Entry Analysis** The re-analysis of this footage using AVID Frame Flex and Boris Fx

Time Warp/Video Noise Reduction. Documented Quantum teleportation has never been like this. Inclusive of the

visual elements associated to this event, are the sounds upon entering our realm, and the UFOs propulsion

matrix. At times, I create variations in analysis to study each specific object and event.

4-13-2015 UFO Beam of Light Flyby Analysis

4-13-2015 UFO Beam of Light Flyby Analysis. This anomaly is usually captured materializing into this realm, and

this is a first Flyby of this object captured. Its a match to 5-04-2014** (above). With multiple captures, I am able

to show with 100% certainty, the similarities associated to both objects represented within these clips. Matching

objects in a comparative manner, makes forming a conclusion a bit more simple: ET is here. With visual and audible

confirmations, we can build upon variations for motion picture applications.

8-03-2015 UFO Cylinder Green Beam WARP Sound Analysis

8-03-2015 UFO Cylinder Green Beam WARP Sound Analysis

Orange UFO HD file samples, Baltimore Maryland 8-03-2008

Orange UFO: Landing of the Orange and Blue Spheres, Baltimore Maryland 8-03-2008 Click on image for Video.

The basis of this color texture technology are UFO's captured by my cameras. I have taken some of the Worlds

most extraordinary photographs. National Geographic Creative

The Worlds first Full frame HD digital UFO Close Encounter (D700 Nikon @ H1) 8-03-2008. This event generated

several levels and sources of UFO colors. Extracting from the HD original image file as the source of this level of

bitmap materials. Data mining the samples for what they are worth, we obtain our materials from extraterrestrial

objects (UFOs). These objects just happened to land in front of me and 18 other people, whom cannot remember

this event? The analysis of an Extraterrestrial anomaly, in the creation of ET based colors. Assimilating a UFO

from the worlds best samples, and creating texture bitmaps unlike anything on Earth. Alien Color Technology.

HD Digital ETCTBmp

© VAu000621288 2013 US Patent Pending

Landing of the Orange and Blue Spheres, Baltimore Maryland 8-03-2008 Encounter Reports Baltimore Md. This

color texture technology (UFO's) is captured by my cameras. I have taken some of the Worlds most extraordinary

photographs. National Geographic Creative

Sampling actual HD UFO Data files, in the creation of Extraterrestrial Color Texture Bitmaps. We are

experts in UFO (Alien aircraft) flight characteristics and characteristics, based on the experiences of this

research.

UFO Flyby POV Washington DC 4-26-2013 AVID Boris FX BCC Vr2

UFO Flyby POV Washington DC 4-26-2013 AVID Boris FX BCC Vr2. A more extensive analysis of

this extraordinary Luminous Orange anomaly (UFO). My sample pool of realities is extensive. Working

with extraordinary materials, we can extract data and apply it to visual effects in Motion Pictures and

3D Game Development applications.

ETCTBmp

© VAu000621288 2013 US Patent Pending

Colors sampled from alien objects on Stills based digital imagery. (D700-D7000 DSLR Nikon)

Partial sample library does not include D4 UFO samples, which are now HD Video application files. I have captured

UFO activity, in close proximity, on video. Our extraordinary video samples serve as reference* files, showing flight

and "cloaking" capabilities of extraterrestrial spacecraft and Stargates.

Database D4-D4S is a bit more extensive (2015). The initial basis of these materials (Static Bitmaps) has evolved

to extraordinary 60 FPS examples of ET technology with Sounds*. Each UFO is sampled for its unique qualities and

characteristics. We are now D5, ISO 4 Million @ 4K imaging resolution. Nikon cameras imaging systems.

Images of the extraordinary: UFO takeoff and landing imaged in HD digital

Takeoff of the Orange Spheres 8-03-2008 Baltimore Maryland. Click on image for Video Our extraordinary video

samples serve as reference* files, showing flight and "cloaking" capabilities of extraterrestrial spacecraft and

Stargates. Dr. Edgar Mitchell on Plasma based alien spacecraft technology (Click on image) HD digital Images

of the Extraordinary: basis of color sampling. The Worlds first HD UFO Close Encounter samples. (Close Proximity)

I posses HD digital files of UFO anomalies in a sampled format. These image files are the basis of UFO Colors.

UFOdc has compiled over 173,000 HD samples to base extraterrestrial color applications from. I have taken and

experienced some truly extraordinary events, on film and HD digital. UFO Colors are RGBCMY Static and Motion

application files created in AVID Media Composer and Boris Fx BCC 8.1. Colors sampled from alien objects.

Plasmoid ETCTBmp Digital Edition

© VAu000621288 2013 US Patent Pending

Orange UFO forensic analysis, based on comparative examination. Click on gradient sample to enter chapter

on Orange Sphere UFO's. Colors sampled from alien objects, that landed in front of me in Baltimore Maryland

8-03-2008.

UFOdc.com UFO Library template. These files are UFO based samples which are unlike any known color on Earth

When your visual effects call for extraordinary colors and textures, use ETCTBmp UFO Texture Applications. There

are no colors like this on Earth*. UFOdc.com is the exclusive source of UFO color bitmaps. Sample presentations

are based on Autodesk/AVID/Boris Fx BCC 8.2technologies. The files are considered to be the best photographic

evidence of extraterrestrial anomalies imaged on film and HD Digital.

Avid Media Composer 6.5

AVID Media Composer 8.6.3, 64 Bit Digital Editing

BORIS FX

Boris Fx BCC 8.2

Nikon USA/Japan

Nikon DSLR HD

UFO Colors: Extraterrestrial Color Texture Bitmaps for 3D

ETCTBmp sample pallet HD 3D

The application of assimilated alien colors to 3D © VAu000621288 2013 US Patent Pending

Carpenters P-51 ETCTBmp gradients applied to Starship Voyager

All Bitmap Texture File Applications are generated in HD Voyager Class M Planet Click Image to Enter. With the

appropriate virtual lighting applied, the colors can become extremely electric. (Vivid color profiles) Autodesk

3dsmax/MAYA 2016. The 3D samples are for demonstration purposes and are © and Trademarks of

Paramount Studios. I was fortunate to have an original cast member as a friend and Mentor*

*Mike Pataki (Korax, Klingon Commander)

Mike Pataki: Korax Klingon Commander

I thank my dear friend: Mike Pataki, Korax the original Klingon Commander

in Star Trek. Rest in Peace Dear Friend* Deeply missed!

Korax

Commander Korax. This character was Mike Pataki's true nature. We would talk for hours nightly,

and I will never forget this true Horror Action Hero. Having cast members as friends in this industry

is a must!

P-51 ETCTBmp RGBCMY

HD Facebook Video Click image above to enter © VAu000621288 2013 US Patent Pending

Colors and textures sampled from alien objects

P-51 Extraterrestrial Color Texture Bitmaps RGBCMY Gradients; Conventional Swatch Color Gradients

Swatch colors do serve a purpose, and not all ETCTBmp colors are appropriate? Colors affect individuals differently,

ETCTBmp affects individuals adversely if

prone to seizures. UFO colors have extraordinary wavelength. They are of unknown Extraterrestrial origins, and outside

the range of the software's used in the analysis and creation of this color sample technology. UFOdc.com is the exclusive

source of this assimilated alien color technology. Alien Modulator Pulse generated in HD, modulates extraordinary colors

sampled from Carpenters P-51 UFO anomaly © WG Allen VAu000621288

Material Editor with ETCTBmp P-51 UFO Textures

© VAu000621288 2013 US Patent Pending

Primary Texture Patterns, 6 of 23,987 Data streams of UFO Bitmaps* Click to Enter

Gradient files. These files apply in place of conventional Swatch Colors

(Standard embedded color profiles).

P-51 Extraction Color Texture Bitmaps

© VAu000621288 2013 US Patent Pending

Advanced Library Gradients of Lead Right Sphere. Each Color Bitmap is an exclusive HD Static or Motion Application files.

Motion Applications rendered in AVID Technology

P-51 ETCTBmp

Colors extracted from P-51 UFO Anomaly applied to Starship Voyager. Sample used to show

ETCTBmp applications, in place of standard color Swatches. In production (3D), additional lighting and AfterEffects

filters are applied to the visual effect, in motion. This 3D starship, and all 3D starships used are (Copyright Paramount

Studios) and used for demonstration purposes only. In these samples, extracted (sampled) UFO Colors are applied

in place of the conventional color scheme. Warpdrive core reaction are film composites made from

P-51 Lead Right Sphere

Voyager with ETCTBmp  J-4 Colors HD

3D application with supplemental UFO Colors applied in place of Swatch colors. No particles systems or lighting added

to 3D to enhance colors as they would be in an actual application. These are just to show the colors, not enhance the

effects.

P-51 UFO Colors (Primary Package).

ETCTBmp apply to all 3D rendering applications (Autodesk 3dsmax/Maya) Bryce/Poser and any and all 3D/2.5 D

rendering applications software. 3D objects require color texture applications for realness. Our color textures are

Extraterrestrial Colors.

Voyager in 3D Compositing Technology:  Autodesk Combustion

Bringing the sample into Autodesk Combustion*, we can add luminosity and effects to our ETCTBmp samples

Karen Marcatillio Anomaly (New Jersey), generated a blue signature which matched the J-4 Anomaly of 2002. The

KMA is sampled in multiple frames of HD digital and is of an unknown source. However; it to generated ETCTBmp.

Most, if not all of the UFO anomalies are outside the operational range of the programs used to sample them

*Autodesk Combustion has been replaced by Boris Fx BCC 8.2/AVID Media Composer 8.6.3 (64 Bit) technology.

This work is based on technology, as technology evolves, applications become obsolete and replaced by 64 bit

3D compositing applications such as AVID/Boris Fx BCC 8.2

AVID Media Composer 7

AVID Media Composer 7/Boris Fx BCC 8.2. The basis of analysis and examination of UFO objects using program

tracking. (Click on Media Composer to see UFO Footage)

Avid Media Composer 6.5

AVID Media Composer 8.6.3 64 Bit Digital Editing

BORIS FX

Boris Fx BCC 8.2

UFO Colors P-51 UFO Green Graients ETCTBmp

Voyager (3D) sample with P-51 UFO ETCTBmp Green used as laser weapon.

Composite AVID/Boris Fx BCC 8.2

P-51 Colors

© VAu000621288 2013 US Patent Pending

P-51 UFO Anomaly imaged from US Senate Park, July 16, 2002 onto HD 35 mm Film processed in RMOS technology*

P-51 ETCTBmp Extraction Library, each file an HD Bitmap which maintains the spectral luminosity of the UFO they are extracted

upon. Voyager includes an ETCTBmp called Plasmoid Colors*. These Plasmoid colors refer to the overall characteristics of an

Orange UFO anomaly I encountered in Baltimore 8-03-2008*

ETCTBmp Plasmoid Orange

Click to Enter Video © VAu000621288 2013 US Patent Pending

Colors and textures sampled from alien objects

ETCTBmp Plasmoid Orange (Click to Enter) The basis of analysis and source of Digital ETCTbmp Plasmoid Orange* UFO This

Worlds First HD Close Proximity sample, generated extraordinary monochrome gradients, however the same object when

imaged in the trees, generated another level of Orange which is applied to the Starship below* Click on image for HD

YouTube Video*

Inclusive of P-51 UFO textures, the yellow/orange content of this 3D Voyager uses HD Digital Plasmoid Colors*, extracted

from Orange UFO anomalies 8-03-2008. These are the Worlds first HD Digital UFO Encounters samples* Starfield: AREA 51.

Though the colors look conventional, the samples are all extraterrestrial and sampled from UFO objects. We are using High

Definition imaging technology, used by NASA and the motion pictures industry.. Nikon HD DSLR camera/lens technology.

Voyager ETCTBmp in Groom Lake airspace (HD)

Replacing the swatch theme of this 3D model with ETCTBmp colors, and placement into HD environment (D4). The

3D environments can be created using conditions on Earth. For example, the environment used in these samples is

AREA 51 Airspace. These are motion video files of AREA 51 airspace animated with an HD 3D object (Starship).

HD 3D in HD Video components (environments), composited in Combustion*

Boris Fx BCC 8.2*. Composite replacement program in AVID Media Composer (64 Bit)

Nikon USA/Japan

Nikon DSLR HD

Voyager with ETCTBmp (Plasmoid HD/Film HD) ET Colors

Voyager with HD Film & Digital UFO Colors. Replacing the swatch contingent with alien color samples. All 3D objects,

use bitmap materials (samples/swatch colors/modified swatch textures). Variations in color and lighting, along with

detailed bitmap materials, create realness in the effect. My samples are generic, other than the placement of color

texture materials, I have done no other 3D enhancements (particle system) to many of my examples. The primary

purpose is to show the sampled UFO ETCTBmp (Extraterrestrial Color Texture Bitmaps), UFO Colors. All colors are

taken from Airborne Anomalies (UFOs). They are non conventional color textures, that defy the Earthly technology

used to render them. In the begriming, (2002), I used Adobe CS Photoshop, a program based on all known lights and

colors. Hence the name Photoshop (Photographic Correction and Enhancement software). Along with Adobe, I used

AVID HD. AVID is to HD video, as Photoshop is to stills. With the addition of 64 Bit AVID Media Composer 7

and Boris Fx BCC technology, AVID has maintained the image standard in all broadcast and entertainment.

AVID processed video allowed for accurate HD renderings with enhanced visual definition. Our NASA grade UFO

files represent the state of the art in HD imaging technology and Extraterrestrial Byproducts: UFO Colors.

Voyager painted in ETCTBmp UFO Colors on Class M Planet*

Voyager on Class M Planet*. Stardate Unknown* 3DS in Bryce using ETCTBmp colors on export/import. (click image

to enter). Each UFOdc.com UFO represents a color library within itself. Each UFO is a ETCTBmp Color Textures library*

Enterprise

Assimilated UFO Color texture applications apply too all 3D objects* (Enterprise NG). Enterprise color schemes are

replaced by sampled UFO color texture bitmaps. Extraterrestrial Color Texture Bitmaps (ETCTBmp) are applied in

place of the conventional color profile used in the original 3D creation. Texture layers are replaced by UFO samples.

All color samples are © UFOdc.com/ WG Allen, Starships are Registered products of Paramount Studios, and used for

demonstration purposes only. Star Trek is © Paramount Studios (3D)

Warp Field: Warp field stability demonstrated. Dr. Edgar Mitchell on Extraterrestrial Stargate

Wormhole Technology. There are professionals associated to my work and research. These colors

are the products of forensically authenticated extraterrestrial anomalies.

J4 Pulse UFO 7-04-2002

© VAu000621288 2013 US Patent Pending

J-4 Pulse UFO: Basis of extractions (Version 2 of UFO Video*) currently number 1 @ AVID.com

J-4 Pulse and Foo Fighter UFOs (July 4, 2002) @ The Washington Monument (Forensic Authentication)

HD Film sample, and first UFO documentation of UFOdc.com Film samples are processed in

RMOS technology, Fuji T160 @ 1280 ISO. In 2002, this was state of the art technology, and

UFOdc.com has imaged some extraordinary UFO technology in this year (2002)*.

J-4 Pulse Design/structure

© VAu000621288 2013 US Patent Pending

3D composite of UFO anomaly J-4 Pulse. Magnetic Field Propulsion (Anti-Gravity), based on field

signatures. However, I now use HD 1080 digital D4/D4S Nikons.

From the cameras, come my latest UFO extraction samples. I have the most extraordinary images in

the World*. Forensic Authentication I go to great measures to assure the authenticity of

my UFO samples* © WG Allen VAu000621288 . All samples presented are registered IP,

unless indicated* (Paramount Pictures/20th Century Fox).

Unknown Blue Anomaly KM New Jersey

© VAu000621288 2013 US Patent Pending

Karen Marcatillio Anomaly (New Jersey), generated a blue signature which matched the J-4 Anomaly of 2002.

The KMA is sampled in multiple frames of HD digital and is of an unknown source. However; it to generated

ETCTBmp* KMA ETCTBmp are HD Digital Bitmaps. The quality of this sample is an extraordinary match in

luminosity to the J-4 UFO

3DS object non painted

Motion Picture 3D Animation and Digital Game Developers work with computer generated 3D objects. These objects consist

of layers or programs within a program, to create a specific 3D object (artist interpretation of Digital 3D playable matter).

Using advanced J-4 Colors and the extraordinary level of Blue generated by the Blue UFOs in this series of anomalies (J-4)*

J-4 Colors 2002 UFO Anomalies on HD RMOS Film

© VAu000621288 2013 US Patent Pending

Click Color Gradient pattern: Forensic authentication

Colors and textures sampled from alien objects (HD Film/Digital)

J-4 Anomaly and RGBCMYK Gradients. Each file created in 64 Bit HD. These extraordinary Blue Colors and the

specific structure of an Unknown Spacecraft* . Extracting upon an extraordinary UFO specimen, its spectral

and luminous qualities, ETCTBmp.

3DS F-4 Fantom painted with ETCTBmp J-4 Blue UFO

Painted in ETCTBmp J-4 UFO Blue Gradients 3DS F-4 Phantom outside Bolling AFB Washington DC (HD digital environment).

In place of swatch colors, the bitmaps of a UFO. Placing HD 3D into HD Environments (Natural or CGI), ETCTBmp will enhance

the realism of your 3D action object*. These colors are not affective on all 3D objects* The object design may require

segmented color samples. Segmented samples are Bitmaps divided into segments, and applied as separate layers*

ETCTBmp are added to enhanced or replace the conventional Swatch application with a UFO Color Sample. However

ETCTBmp colors are the equivalent to Florescent Paints in comparison to the overall characteristics of these extraordinary

color texture samples* Swatch colors are all Monochromatic single color specific files, while the equivalent ETCTBmp

consists of multiple layers of colors unseen to the eye, however a direct byproduct of these alien colors. What may look

Green has in fact sub layers which are only visible when filters are applied to the sample* These organic watermarks

make these colors easily identifiable when taken without permission* © US Copyright 2004-2011 UFOdc.com

F-4's in attack formation, "Dr. Strangelove" remake concept

F-4's in attack formation, attack the US Capitol Building: Dr Strangelove remake (concept). 3D Film simulations in

HD. 3dsmax/Maya using UFO Colors

Klatoo 3D composite from original 20th Century Fox film: The Day The Earth Stood Still" and HD 35 mm film

The Day the Earth Stood Still, 1950 3D composite using HD film environment 20th Century Fox 3D film (35 mm

film/ video transfer) Composite When the aliens land, they are met by the US Military

Wilbur Allen on Coast to Coast with George Noory * Boris Fx BCC 8.2

Avid Media Composer 6.5

AVID Media Composer 7 64 Bit Digital Editing

BORIS FX

Boris Fx BCC 8.2

J-4 Colors applied to 3D Saucer

3D Saucer with J-4 Colors and Texture Bitmaps applied* to effect. Painted with UFO Color Bitmaps. Saucer Design,

External and Internal operations, Designed, created, and operated by Wilbur Allen. All texture paints on this 3D saucer

are Extraterrestrial. Using ET colors and assimilated byproducts. Back engineering alien objects for commercial color

applications. The colors applied are from UFOs. UFO Research at UFOdc.com.

Materials Map J-4 Colors

Click on image to enter video sample*

© VAu000621288 2013 US Patent Pending

J-4 Colors and P-51 Texture applications applied to3D Saucer. ETCTBmp UFO Colors are specific to each unique

anomaly*

Saucer and Map applications

Changing the outer cone bitmap to a shade of Blue darker than the applied texture above* Painted with UFO Color

Bitmaps The substitution of conventional Swatch color technology with assimilated alien color bitmaps. J-4 Pulse

ERTCTBmp Color textures appliued to saucer

UFO Encounters in Space: 3D simulation in HD using bitmap samples extracted from UFOs (ETCTBmp). Working

with sampled UFO color textures, which maintains the spectral luminosity of the UFO's they were extracted from.

Saucer with UFO Colors

Using sampled colors from extraterrestrial anomalies, this 3D saucer is painted and placed inside an HD environment

(Hubble) The Static or Motion Bitmaps are applied to Grouped 3D Saucer* Painted with UFO Color Bitmaps (J-4 Pulse

ETCTBmp)

Saucer exits warp

Saucer at Warp. Saucer is painted with sampled UFO bitmaps. Bitmaps are sampled from either HD film or HD digital

image files, captured by UF0dc.com. We have upgraded and use advance HD imaging technology to render our effects.

J-4 Pulse

Exiting warp and entering into Normal space. We attempt to simulate conditions relative to exiting warp.

J-4 Pulse Extracted color texture bitmaps for 2D/3D

Painted entirely in J-4 Colors, (film based samples) are the first level of extraterrestrial bitmaps. The film maps are

forensically matched by NASA JPL files imaged during Gemini/Apollo Space programs. The basis of all ET Bitmaps

are UFOs. Anomalies (UFOs) captured by my cameras are analyzed and sampled, rendering bitmaps for 3D/2D

applications. Motion pictures special effects are built on color texture bitmaps. UFO Colors are built on UFOs.

3D Program template

Using sampled extraterrestrial color textures, and applying them too HD 3D object, created with individual

grouped components. Each group painted with a sampled alien bitmap* J-4 Pulse.

Saucer Materialization: The Weather Channel UFO

Saucer Materialization: The Weather Channel UFO Animation

My saucer materializes into the storm area. Its there to absorb the energy generated by the storm

It is unaffected by the forces of the storm.

Fully materialized, the saucer extracts the raw energy from the storm, using a technology which draws energy

through induction. Tesla technology.

Saucer Materialization: The Weather Channel UFO

Discharged electrical energy from the tornado, is absorbed inductively, and stored within the saucer in storage cells

much like rechargeable batteries. Click on image for Weather Channel: Twisted Believers animation. 3D UFO saucer

uses bitmaps extracted from the video environment, and UFO Colors*, both static and motion bitmap samples. The

vibrant colors are extracted from the Worlds best UFO samples.

Alien, 1962 The Outer Limits in HD 3D Composite

Alien character: The Outer Limits 1962 (Non computer visual effects: Blue Grid)

HD 3D video composite from B&W video stream, 1962, using RMOS film effect in 3D compositing

technology Their world is different (Boris Fx BCC 8.2 NR)

Avid Media Composer 6.5

AVID Media Composer 7 64 Bit Digital Editing

BORIS FX

Boris Fx BCC 8.2

J-4 Colors ETCTBmp

J-4 Color Gradients RGBCMY based on Anomaly. The J-4 Pulse sample has spectacular color luminosity.

Colors and textures sampled from alien objects © VAu000621288 2013 US Patent Pending

Combstion 3D Compositing Effects applied to Saucer engine

Enhancements in Autodesk Combustion add flare to placed bitmaps. Here the saucers engine has Glow added to the

effect* Painted with UFO Color Bitmaps. Some Bitmaps are generated in Organic Gradients. These gradient byproducts

are the extraordinary color texture files applied to this HD 3D saucer. Gradients are HD Film/Digital applications that

apply to all 3D Objects* that require Bitmap paints. RMOS Film based Textures Bitmaps are an added bonus to

3D developers. RMOS NGM effects are created in radiation enhanced chemistry*

FInal Effect with ETCTBmp colors applied to 3D object

Painted with UFO Color Bitmaps

After textures are applied to each component of the saucer. The saucer is grouped as a single component: Saucer.

The saucer is painted and introduced into HD Digital environment, ready for film action. Lighting and texture artist can

further enhanced the effects in adding appropriate conditional variables to the painted areas*. These samples are

straight ahead and without supplemental additives. The colors are ETCTBmp UFO Colors.

Nikon USA/Japan

Nikon DSLR HD

Outer Limits 1962 3D Composite too RMOS Hd environment

HD 3D Composite made from 1962 film transfer: The Outer Limits

Saucer attack in Baltimore Maryland

Saucer Attack in Baltimore Maryland* Painted with UFO Color Bitmaps

Each UFOdc.com UFO represents a color library within itself. For each UFO is a ETCTBmp

Color Textures library*

ETCTBmp Plasmoid White* 2008

© VAu000621288 2013 US Patent Pending

Plasmoid White UFO Color Texture Bitmaps. Colors and textures sampled from alien objects. Sampling from

extraordinary files, the attributes associated to an extraterrestrial anomaly

Saucer with ETCTBmp applied

3D saucer painted in AREA 51 Airspace Starfield (cloaking), the saucer dome P-51 Green Modulator Pulse mixed with

July 4th fireworks at the Washington Monument, 3D composite in AVID/Boris Fx BCC 8.2. The mixing (compositing) of

samples from the P-51 Pulse sample (above) and the fireworks Kaleidoscope sample (below), to create the dome effect

on this 3D saucer. Understanding higher resolution 3D object requirements when applying texture bitmaps generally

requires a higher definition bitmap to render its fullness. I compare it to putting regular gas, in a car designed for

Hi-test? There is a performance issue when running lower end fuel in a system designed for High octane. The system

just does not perform. However; when high octane is used, it operates as designed. Using an HD bitmap on an HD 3D

object. My sampled ET Colors are all HD based on the sample. All UFOs are sampled in color spectrums, equivalent of

RGBCMY gradients. Considering I'm using advanced Human technology to assess data from extraterrestrial objects.

Here the HD bitmaps are the imaged frame of AREA 51 airspace, the P-51 Modulator Pulse mixed with fireworks.

The effect used on the geosphere dome of the saucer is most exceptional! A mix of ET and conventional events

to create an autonomous visual effect The effects are translations of files applied to 3D objects.

AREA 51 Groom Lake

Groom Lake: AREA 51, Nevada. We go through extreme measures to obtain our samples* Digital environments

High Definition Full Color Night Vision, Nikon Video technology

UFO Groom Lake Nevada

UFO AREA 51 Groom Lake. An exceptional HD sample of a luminous orange UFO in flight.

Nikon USA/Japan

Nikon DSLR HD

UFOdc.com UFO  ETCTBmp Color Texture Applications.

Colors and textures sampled from alien objects © VAu000621288 2013 US Patent Pending

The basis of UFO ETCTBmp Color Applications (Static & Motion). Motion files rendered in AVID Technology. UFO Color Texture

Bitmaps UFO ETCTBmp apply to all 3D applications which require paint*. In place of the conventional, use an assimilated

Alien UFO Color Bitmap. Colors composite nicely to effects and objects that are supposed to be alien, look alien. ETCTBmp

generate excellent Spatial Environments* ETCTBmp and RMOS visual effects apply to all 3DS, 2.5 D, and 2D (Photoshop)

image parsing applications.

ETCTBmp Texture 2 applied to Poser 3D

Poser 8 using UFO Colors. UFO Coors apply to all 3D applications that use Bitmaps. UFO ETCTBmp Colors apply to

any and all 3D rendering software applications. The application of ETCTBmp to all internal objects inside the Alien

Master Control sequence. The videos associated to the image samples are for demonstration purposes only.

I am limited in the creation of my visuals. Though created in 3D, a 3D artist can fully create the desired visual

effects*. However; this is to show, the ETCTBmp's apply to all 3Drendering applications. ETCTBmp

are www.UFOdc.com products, and generated in the USA via E. T. These are authentic HD UFO samples,

origins Unknown?

http://www.UFOdc.com / NGM/Fox News/MSNBC/Politico

J-4 ETCTbmp Foo Fighter Colors*

© VAu000621288 2013 US Patent Pending

J-4 UFO Foo Fighter ETCTBmp are HD texture Maps with organic gradients. These are non conventional

Gradient colors generated from J-4 Pulse UFO sample, imaged July 4, 2002. The UFO associated to this

sample, was encountered on the Moon by Buzz Aldrin during Apollo 11 in 1969. My samples are matched

with NASA JPL imagery from Apollo Moon mission files. What was encountered in Space during these

missions, is now on Earth. Eye witness accounts, News Network coverage and descriptions are are

accurately represented by my samples. Sampling from alien objects to generate alien effects.

P-51 UFO ETCTBmp B are HD texture Maps with organic gradients.

Colors and textures sampled from alien objects

ETCTBmp UFO Colors

Final Product: Alien Master Control Sequence: Inside the saucer painted exclusively in UFO gradient ETCTBmp P-51

UFO Colors Generating alien effects using alien colors* The samples shown, demonstrate the usage of ETCTBmp

in these programs. A 3D artist and game developer will certainly know how best to use these extraordinary Colors

/Textures ETCTBmp*. There are no other colors or textures like this on Earth, because they are not from

Earthly Objects* UFO. UFOdc.com has the largest HD Forensic image samples (UFOs) on Earth. Our Color

Textures maintain the spectral luminosity of the UFOs they extracted (sampled) upon. Sampled under

extraordinary circumstances, these physical samples are considered the Best in the World. With extreme

photographic standards, I have been able to capture events extreme to our levels of perception. Though

unseen, seen nevertheless. These image captures are the basis of ETCTBmp Color Texture Applications.

(Static and Motion ETCTBmp)

All color samples ETCTBmp. UFO Colors applied to 3DS Giving 3D Effects a Comic Book feeling. Motion Composite

using Boris Fx BCC 8.2, a 64 Bit application, in AVID Media Composer 7. The color applications are both Static and

Motion files, applied to HD 3D objects. Colors and textures sampled from alien objects. While in development, I

showed this pulsing file on a HD video monitor, to an associate. I did not anticipate his reaction of this file, nor did

I know he had experienced a Close Encounter with an unknown object? At one point in the viewing, he started

shaking in fear? He then stood up and started screaming. At that point, I ended the program and attempted to

calm him down from a fit associated to being scared, during an alien encounter. The modulator files could cause

seizures in those that have neurological disorders triggered by extreme colors/fear. If I did not see this for myself

I would be in error not to mention the effects of extreme colors on certain individuals.

3dsmax RMOS 2017

3dsmax2016 and DNxHD145- Ultra HD. Using sampled ET texture maps applied to 3D objects.The object is to give

your 3D work of art, extraordinary colors, extracted from extraterrestrial spacecraft. Our initial ET products are HD

Analog 35 mm film, film scan direct, using Nikon Coolscan technology (2002-2008). What is captured on film, cannot

be recreated. The preservation of the image files (35 mm film) is achieved in a direct film scan. The resulting scan

products preserved indefinitely, the analog image translations from 35 mm film. At the time, my RMOS film imaging

capabilities were unsurpassed, achieving an extraordinary grainless ISO 12,800 image, using ISO 400 film. Until 2008

my technology ruled. It was quickly dethroned by Full Frame Digital (ISO 25800-51200). I'm now ISO 204800 Full

Spectrum Infrared, ISO 409600 through ISO 4 Million, Hyper Full Color Night Vision. These specifications are subject

to change, as our systems and technologies change.

Modulator Pulse Colors

© VAu000621288 2013 US Patent Pending

Modulator Colors: This is a GIFF file, the actual modulator file is much faster* National Geographic file.

Colors and textures sampled from alien objects

Alien Commander 3DS using ETCTBmp UFO Colors and RMOS 3D environments. Giving 3D Effects a Comic Book

feeling. All colors are UFO in origin* Extraterrestrial Color Texture Bitmaps ETCTBmp P-51 Modulator and J-4

ETCTBmp applied to 3DS. Aliens designed to scare, and entrance you with alien colors*

Giving 3D Effects a Comic Book feeling

Avid Media Composer 6.5

AVID Media Composer 7 64 Bit Digital Editing

BORIS FX

Boris Fx BCC 8.2

ETCTBmp vr 2 (Superman) effect

© VAu000621288 2013 US Patent Pending

Colors and textures sampled from alien objects

RMOS 3D Environments (Non computer graphics)

RMOS 3D Environments

Non computer generated film effect © VAu000621288 2013 US Patent Pending

HD Digital object in film environment

RMOS 3D Environments (Film/Digital) Film Environments are custom made for motion pictures. Film texture vs Digital

Alternate reality extraterrestrial perspective

Logan Anomaly ETCTBmp

Crystalline ETCTBmp generated from Logan Anomaly UFO (Non computer graphics HD)

© VAu000621288 2013 US Patent Pending

Visual Effect generated inAvid Media Composer 7 and  Boris Fx BCC 8.2

© VAu000621288 2013 US Patent Pending

Visual Effects generated in Avid Media Composer 7 and Boris Fx BCC 8.2 (Click on image for video effect)

My Big Redneck Vacation: Shootin at yur alyien friendz Welber (Wilbur)

CMT's My Big Redneck Vacation: Shootin at yur aylien Frenz Welber (Wilbur): AREA 51 Expedition team leader with

"Gun Packing" Rednecks.

FIR_4174 c.jpg

D4 Hyper Full Spectrum Infrared 760nm (UV glass in widows generated the extreme mirror effect)

videframe_000457.jpg

Hyper FSIR

videframe_000050.jpg

Full Color Night Vision @ HD 1920 x 1080 and HD 4K. I can image in any lighting conditions, full HD Motion Picture.

UFOdc.com can image in ranges from ISO 50, too ISO 3.9 Million*. *(Not recommended, however possible, due to

granular distortions. However; full color night vision has evolved into extraordinary imaging technology.

UF5_0554.jpg

Requiring no light, anywhere can be an instantaneous movie set.

UF5_0905.jpg

Taken in darkness (upgraded technology*).

vidstills3_002837.jpg

We specialize in nocturnal and extreme environments. My paranormal investigation of Erie Pennsylvania with the RIP

and Hangar 1 crews. Ken Ballos interviews Tony Angiola (Hangar 1) owner of the haunted mansion we investigated.

Click on image to check out the footage*. I've upgraded since this production, however; my upgrades are at this level

at a much finer level, and with significantly less light. (Directly above this sample)

High Definition Motion PIcture Technology

 

Nikon USA/Japan

Nikon DSLR HD

Aliens on the Moon

Aliens on the Moon (Buzz Aldrin/Neil Armstrong/Edgar Mitchell)

My Big Redneck Vacation  UFOdc.com

My Big Redneck Vacation UFOdc.com: Wilbur Allen AREA 51/Sedona Expedition Team Leader

Wilbur Allen: Director of Photography/Inventor: UFOdc.com

ETCTBmp is Made in America

Will Allen: Air Force One Eng.

ETCTBmp Color Texture Bitmaps are American Made

National Geographic Creative: Wilbur Allen

Wilbur Allen: Photography/Explorer

National Geographic Creative  NGC

Wilbur Allen: National Geographic Creative

UFO Forensic Files

UFO Forensic Files e-Book* On AMAZON.com

Avid Media Composer 6.5

AVID Media Composer 7 64 Bit Digital Editing

BORIS FX

Nikon USA/Japan

Nikon DSLR HD

NBC News

Dr. Edgar Mitchell: Thank you Dear Friend-Rest in Peace 2-04-2016

The 27th James A Porter Colloquium on African American Art

The 27th and 28th James A. Porter Colloquium on African American Art: Produced by Wilbur Allen & Olivia Drake (Ph.D.)

Howard University Department of Art. This production is filmed entirely using existing light. With nocturnal lens

and high ISO, I was able to record the entire event in the conditions in which it was produced. Using 3dsmax2016,

ProTools 11 (Audio components), and AVID Media Composer 7.0.4. All files mastered DNxHD145 Avid Workflow.

This is an Educational Tool and has been produced for Educational purposes.

The James A. Porter Colloquium on African American Art is the creation of Dr. Floyd W. Coleman

To learn the methods I use to create these video/image files, go here:

howard university web logo

Howard University Department of Art/School of Communications

Wilbur Allen

Please Donate to help further this UFO Research

Masonic

Please donate to my Research

This work is Protected under US Government PTCO © WG Allen VAu000621288