Missing in Alaska:Alaska's Body Snatchers
Mount Hayes Alaska: Extraterrestrial Wormhole-Portal
Missing in Alaska; Friday July 24, 2015 on the History Channel
Mount Hayes Alaska: Alaska's Body Snatchers
"Missing in Alaska"
Missing in Alaska A UFO Over Mount Hayes-History
Uncovering Aliens on Discovery's Animal Planet/Discovery Science/American Heroes Channels
I am Proud to be a cast member (in my series in Sedona) to Uncovering Aliens on Discovery's Animal Planet/Discovery Science/American Heroes
This version of Uncovering Aliens is enhanced with actual HD digital footage. It may not be advisable for children*
UFOdc.com is a Professional Research and Production organization.
Our associates include esteemed Astronauts, NASA Scientist, Dr. Edgar Mitchell and others. Using Nikon advanced terrestrial
scan technology to analyze the skies, I am able to see what the human eye does not. Capturing a fraction of a second sequentially,
in a series of frames, using high definition optical technology to forensically show the validity of each documented sample.
UFOdc.com YouTube channel, has video analysis and supportive data relative to each sample, if applicable. If there are UFO's, I
will find them. We will come too You. Let us capture your UFOs! Contact us: UFOdc@aol.com
Wilbur Allen and John B. Wells on Imaginative Worlds
The Search for ET Portals and Bases: AREA 51/Sedona/Washington DC (National Geographic)
My Big Redneck Vacation UFOdc.com
Origins of the anomalies, unknown however; this should give you a general idea? HUBBLE
Extracted Color Texture Bitmap Applications Includes newly developed PLASMOID Colors 2009*
UFO Color Gradients : Extraterrestrial Color Texture Bitmaps
Color Texture Bitmap samples extracted from HD UFO image files*
My Big Redneck Vacation
Motion Pictures Special Effects and 3D Game Development
Painted in UFO Colors ETCTBmp (Extraterrestrial Color Texture Bitmaps) J-4 Pulse*. HD Environment
UFO Colors are the products of image analysis, on each of the anomalies I captured
over the years. In the analysis, I created a gradient library of color textures all extracted
from exceptional image files (the best). Used in place of conventional Swatch color
technology, UFO Colors ETCTBmp, Extraterrestrial Color Texture Bitmaps, apply to
all image rendering software (3dsmax, Maya, Z-Brush, Combustion), and any and all programs
which use color Swatch technology for the creative color palate. There are no colors like this
on Earth, and because of their unusual color spectral characteristics, they are copy protected by
design. If you use them, I will know. My legal department will be glad to assist
in Licensing the applications too you. US Copyright/Patent: Wilbur G. Allen. A link too
© US Copyright office is provided below (Legal notice) The overall translation of these
colors, varies with media* (Film/Digital)
© VAu000621288 WG Allen 2004/2009 The basis of UFO Color Technology
UFO Extraction Color Texture Bitmaps (Static and Motion Applications Textures). All texture applications apply too
3D objects in place of conventional Swatch colors. Sampled UFO extracted color bitmaps, generated in RGBCMY color
3D Starship Voyager* with Plasmoid and J-4 Colors applied, for Demonstration purposes only in applications
of ETCTBmp UFO Colors © WG Allen 2004/2011 :NGM UFO ETCTBmp. Using sampled bitmaps from UFO objects
imaged to film and digital, these sampled RGBCMY color texture applications are applied in place of standard color
swatches. Generally, virtual lighting is applied to each area requiring highlighting. The visual effects are hinged upon
supplemental program additives. (Virtual lighting and particle effects)*
Painted in UFO Colors ETCTBmp (Extraterrestrial Color Texture Bitmaps)
Replacing the conventional Swatch colors with ETCTBmp UFO color extracts, Voyager has now an electrified look.
With elements of all UFOs captured by UFOdc.com, the color texture palette for 3D has taken a new turn in the applications
of assimilated alien technology (UFO COlors). I am a Master Scale RC Builder & Pilot
Voyager ETCTBmp applied
Voyager Class M Planet
Enterprise NG with UFO Plasmoid Extraction colors
Painted in UFO Colors ETCTBmp (Extraterrestrial Color Texture Bitmaps)
Replacing the conventional Swatch colors with ETCTBmp UFO color extracts, Enterprise NG has now an electrified look.
Enterprise NG 3D application
Plasmoid Colors © WGA UFOdc.com 2004-2009
* Voyager is Trademark Paramount Pictures
Enterprise (model with electrical system: LED lighting 1990*) I am a Master Scale RC Builder & Pilot
Autodesk HD Digital Compositing Technology used in creating environment for physical model starship, too film.
However; I'm looking at newer 3D compositing technology called Motion Artist 4. Due to changes in OS technology
and resolution (64 Bit), 3D rendering technologies have made significant progress in creating more realistic 3D visual
applications. Before 3D compositing were film effects created onto existing film footage, to simulate visual effects. i.e.:
Matte Photography. For composite technology I now use AVID Media Composer with Boris FX BCC
i am a Master scale RC model maker
A newer form of Matte Photography, now called 3D Compositing. Visual effects rendered in HD Digital, however;
introduced into a high definition "film" environments, have different visual effects as those rendered in HD Digital
environments. Visual effects in HD digital using high resolution film technology verses HD digital. Though the 3D
object is digitally generated, it translates extremely well in an analog environment . I'm now using Motion Pictures
Standards HD Video at a NASA level. My current level of technology allows for the creation of imagery in extreme
lighting environments. (204800 ISO or Full Color Night Vision). The technology exceeds these samples
UFO Sedona Arizona 4-07-2013 102400 ISO video. Though the sample looks daylight, its 04:30 AM. Video frame
extractions in HD, are used in 70% of the samples in this study. I have converted to video exclusively, in the
documentation of UFO events. My video documentation setting the standards in UFO Research. We have upgraded
our imaging technology to 409600 ISO (Nikon D4/D4S). Full Color Night Vision @ 24/30/50/60 FPS.
The Worlds First UFO Extracted Colors Applications (Static/Motion) for
Motion Pictures Special Effects and 3D Game Development
US Copyright/Patent Registered Intellectual Properties*
(Limited animation using extracted UFO Bitmaps to 3-D)
Merging HD 3D objects into HD digital (Hubble image sample/NASA), 3D visual effects have evolved considerably
with higher resolution 64 bit operating systems, currently used. The luminous qualities are generally associated to
virtual lighting, geographically placed within the scene. The basis of authenticity within a 3D animation is predicated
on lighting. In this sample, the upper half the saucer is lighted from above it. The lighting variables in the 3D
environment are visually consistent with the bitmap generated from Hubble (digital environment)
UFO Colors J-4 Applied to HD 3D in HD digital environment. HD video is animated with a matched resolution 3D
object. The effects based on color (bitmaps) and lighting, in this sample, the sauce is painted with sampled UFO
bitmaps and a RMOS 3D film texture. 3D objects require swatch bitmap colors. In this case the bitmaps are
The creation of UFO Extraction Bitmap colors which maintain the spectral luminosity of the UFO they were
extracted from. There are no colors like this on Earth, by design (UFO Extraction Colors). The samples are extracted
and saved in static (non motion) and Motion HD Modulator Color* Bitmaps designed for 3D Motion Pictures Special Effects
and 3D Game Development. UFOdc.com is the only source for these Registered Intellectual Properties Colors.
© VAu000621288 WG Allen 2004. Though breached by a "stolen" Getty Images Portfolio,
tracking the effects of my colors is No Problem. Each color has a specific Identifying signature*, you cannot steal
or augment these samples. You will be caught, and I will prosecute you. You have been warned*
UFOdc.com: My Big Redneck Vacation on CMT
CMT's My Big Redneck Vacation: "Shootin' Yur Aylien Frenz Wellber?" (Click on image)
My Big Redneck Vacation Welber the UFO expert.
Advanced imaging and editing systems, motion pictures standards video/film production. A Nikon/AVID based production
in HD standards based on Feature Motion Pictures. We use Nikon D4/D4S imaging technology. My operational ranges are
100-409600 ISO. 204800 ISO Full Color Night Vision, processed in AVID/Boris technology. Moving away from limited field
imagery (Stills/Time Lapse) and into High Speed 24-60 FPS cinematography. With or without light, I can get the image.
High quality feature films under minimalist operating conditions. We use minimal lighting, reducing heat and energy
by 90%, while capturing true to life visual conditions in our films using Nikon Video/AVID-Boris BCC technology. CMT
Imaging in native conditions, without supplemental lighting, footage for films (102400-204800 ISO) Using D4/D4S Nikon
Nocturnal Steadicam technology (D4-D4S*) D4S applications are more extreme than imaging city structures at night,
using available light sources enhanced through higher ISO sensitivities. CMT
70% of the area I scanned in Shreveport was abandoned. It was reminiscent of Chicago which is also in despair.
A very unusual sample, an abandoned building, yet in one apartment, a TV set is on? I have 5 frames all showing
the same anomaly in each frame. Understanding Shreveport has a history of mass deaths and paranormal activities.
Those that I encountered were consummately kind, though surrounded in despair. God Bless You All! CMT
Shreveport LA 2012. We can film under any and all conditions, from the harsh deserts of AREA 51 too Sedona AZ,
in absolute darkness. Our imaging technology can facilitate perfect results under any lighting conditions and
circumstances. High Definition Motion Pictures Production in existing light. CMT, "My Big Redneck Vacation"
Indianapolis back alley perspective of city moonlight (D4 @ 51200 ISO) The Weather Channel
Examples of excellence in nocturnal cinematography, each frame taken from motion files.
Indianapolis, The Weather Channel
Moon lighted terrestrial scan Sedona 102400 ISO
Terrestrial scan Sedona 2
Moon lighted scan in Sedona, at about 04:30 AM.
July 4, 2014 at the Washington Monument is a silent film. Lady Gaga was playing and the camera recorded her music.
It created copyright problems when trying to Monetization my video. 60 FPS Full Color Night Vision. The audio is
stripped from the video due to copyright issues on music that was recorded during the event.* D4S Nikon
15th St NW Time Lapse, D4 Nikon, file time lapse loop on first segment. Client: W Hotel
Hyper Full Spectrum Infrared 760nm (UV glass in widows generated the extreme mirror effect)
Hyper IR Super Blue
Erie Pennsylvania, History Channel shoot, Full Color Night Vision ISO 102400. This is a singular frame from a motion picture file.
Full Color Night Vision ISO 102400. This is a singular frame from a motion picture file.
IR Super Blue @ ISO 102400, motion picture file*. The effect is absolutely breadth taking.
Super Blue IR in the analysis of a haunted (mansion) house, Erie Pennsylvania.
Tony Angiola (Hangar 1) and RIP Team UFO/Paranormal investigator...
CBS News Washington, News anchor Derek McGinty and Reporter Ko Im, on UFOdc.com's assessment of a FBI document
released on a 1950 UFO crash involving 3 flying saucers.
Continue to UFO Colors
© VAu000621288 WG Allen 2004.
Texture maps consist of multiple gradient samples RGBCMY (Static and Motion) applications files*
HD Visual Effects (Film)/HD Digital
Scale PT Boat with 4 stroke engine, scale exhaust, and an innovation in naval technology: "Water Brakes"
Concept: Good & Evil, 2D applied too 3D composites
3D Composite technology (Autodesk Combustion HD) Bryce environmental effects
35 mm film images rendered in HD 1080, High Definition Visual Effects (Analog bank) 35 mm film is a thing of the Past.
HD 64 Bit Digital Audio Engineering & Production. HD ProTools 64 Bit/Avid Technology
NIKON Motion PIcture Quality HD Video/7.1 DTS Surround Sound Processing/Avid Technology
We have upgraded the facilities within the Avid family. UFOdc.com is now Avid Media Composer 6.5
From HD Nikon Film to HD Nikon Digital: UFOdc.com: We specialize in all aspects of imagery. This 1993 Nikon
World Magazine sample was the first of its kind, to use 25 ISO film in extreme darkness. The film processed
in irradiated chemistry, allowed for full color night vision imagery, with granular resolution comparable to the
finest HD digital files of today. However; Today we have 204800 ISO with AVID/Boris BCC
technology applied to the imaged (still/video) product.
Please be considerate when posting mindless comments: I am contracted too National Geographic
QuickExplore Wilbur Allen To have your work sold by NGM, you must have a contract. The NGM
MyShot pages are inclusive to my contract.
http://ngm.nationalgeographic.com/myshot/gallery/26800#/gallery/898273/ The MyShot galleries are professional
platforms. Yes anybody can have one, however; not everybody gets a contract. My work is contracted*. Please
spare me the mindless BS and truly negative comments which are posted due too ignorance.
Those that post comments related to photography, are clueless how its done.
A Bee in AREA 51, while filming close ups on flowers in Rachel, a bee flies into the image frame. I fired 23 rapid
frames of this spur of the moment event.
A Bee in AREA 51 frame 2 of 10 taken suddenly while imaging flowers in Nevada
HD Digital Photography. These are public NGM pages which "anybody" can join and submit imagery.
Large Format HD Digital. These are public NGM pages which "anybody" can join and submit imagery.
National Geographic Stock Photography. QuickExplore: Wilbur Allen
National Geographic Creative: This page is not public, and contracted to National Geographic Photographers
I noticed the negative responses to my work on "Above Top Secrets" website. Most Morons talk before they "Think" or lack of?
"Its absolutely hilarious to read the stupidity of people that claim to know the answers to that which is unknown". WG
WG Allen: Technical Director of the Dr. Laura Show 1992. I am a Technical and Field Director in Broadcast Engineering
NABET Group 7
35 mm Film to Digital HD (Ultra HD)
MIles Davis on National Geographic: QuickExplore: Wilbur Allen
Not everybody can have one of these pages! You must be Contracted to National Geographic too obtain one! Try to get
Contracted? I then question the motive behind personal attacks, while overlooking the lack of credibility from those that post
such crap! This is my website and my work. I have materials to post. Those that comment, have none nor do they understand
the concepts and principles of photography. I have work on the market, and have had work on the market in publications,
beginning in 1979 with the recording artists album: Silver Platinum & Gold (Motown Records). My work is out there and so are
my credentials. This is about my work and thoughts. These are my Clients
Miles Davis: Blow 15 Years of Miles Davis Electric e-Book
Miles Davis Experience
Miles Profiles 75 Red
Miles 90 colorized blows. Miles Davis was a friend and client (CBS/Warner Brothers Records)
Miles Davis TuTu was covered under my Warner Brothers A&R Contract, as a Contractor.
Miles Drummer Ricky Wellman was my personal friend. He was originally drummer to the Chuck Brown Band.
Dizzy and Max Roach
Dizzy Gillespie: DIzzy @ 8 Pm e-Book
Cards with Dizzy and he looses.... He was pissed!
Dizzy was very cool, and extremely kind! Miles & Dizzy were fiends and clients.
The extremely phine Nona Gaye, daughter of Marvin Gaye
Nona Gaye (Atlantic Records/Warner brothers) WG Allen: Warner Brothers Records A&R
I am an expert in my fields of endeavor. My film samples are the results of film processing inventions,
primarily RMOS (Reversed Microptics) Optical Technology, 1980*. RMOS generated non computer graphics
The registered copyright has been violated in the UK, with an unauthorized reproduction of stolen RMOS
products. materials registered under US Copyright protection. Violation of US Copyright VAu000034841
The link associated to this forgery on the Internet has been removed. They now post infected malicious\
destructive virus data in place of the incriminating evidence, where this crime takes place (Internet). However
The physical evidence just in the creation of this CD, with an embedded profile. Digital usage without
authority, rape at the intellectual level; without regard for US Copyright Registration. For this to happen
in the United Kingdom, an allied country to the United States meant the involvement of International Law
Enforcement: Interpol/and domestic FBI Cybercrimes Agencies.
A poor Xerox copy of my work, made into an illegal production, and sold outside the UK.
The CD is also embedded with my cover image profile on each album track. Violation of
Copyright © extended into the digital domain, with the illegal use of this Xerox copy as
advertisements on the Internet. The 450 site that carried my work, along with this work
and its embedded digital profile, are a direct violation of US Copyright. TKO Licensing has
changed their name to avoid prosecution.
The story of Stanley Bethel, Bridge Records and TKO UK.
While at Warner Brothers Records, Stanley Bethel approached me to do a cover for a
group called: The Valentine Brothers. I created a prototype using RMOS generated
effects. I created the entire board based on the name the Valentine Brothers, around
a Visual effect.
A visual effect specific to the technology in which it was created. You cannot acquire that
which is not for sale by the owner (creator) of that material(s). The results of an invention
which used low voltage radiation as a catalyst in development.
RMOS samples, Cluster Copyright; grouping samples and graphics into one massive Copyright, saves
money and time.
TKO/Expansion Records UK, has failed to capitulate or pay a single dollar for the theft
of my Intellectual Property © VAu000034841 Wilbur G. Allen
My HD revision not only included the re fabrication of the original concept, however; now in
HD 3D. © VAu000034841. Always cover your ass, somebody will steal your work! A US Copyright
cannot be used without permissions from its owner. However; Expansion Records UK, was given
this product by TKO Records UK for reproduction. They never realized it was stolen goods until the
FBI and Interpol Cybercrimes became involved. I used U.S. Government Copyright Enforcement to take
that which is mine, back!
Stanley takes my board to LA, where somebody else adds their name as Art Director?
1982.. Diana Nugit adds her name as Art Director and designer and gets a job
in the art department @ Warner Brothers, with the help of Stanley, which takes, but
never pays for the work. He applies for a copyright and receives it on the cover and recordings,
in his name.
CopyrightVerification2008. Was applied to Bridge Records 1983 Copyright, voiding it. My 1982 Copyright came
first, and you cannot copyright, what's already copyright. Law.
I have several certificates associated to elements of my work. I covered my ass
on all my projects. I own now this entire project.\ Government seizure.
The HD Remaster is superior too the Expansion Records Bootleg both acoustically and
in the HD regeneration of the original concept stolen in 1982 by Bridge Records* This
is a prime example of theft of intellectual property. I designed and created this product,
however; its credits do not reflect so? The person that stole the original concept, applied
and received a Copyright on my work in 1983. However; before I released my work for
review, I had it Copyright/Patent in 1982 under RMOS visual effects. My 1982 Copyright
voided Bridge Records copyright. © VAu000034841 . Expansion Records further damaged
the copyright by modifying only one element of my original design: My Name, and using
my work on the Digital Domain..
I am the owner of this product by US Copyright © VAu000034841
My product sounds as great as it looks!
The Valentine Brothers: First Take (HD)
The Valentine Brothers: First Take (64 Bit HD) iTunes iTunes Top Albums
Stolen RMOS byproducts, of which I own. © VAu000034841
Expansion Records:UK. I question the validity of this company's actions and suggest avoiding at all cost.
Barcode associated to this unauthorized reproduction has been registered by US Customs/FBI-Interpol Cybercrimes
task force. US Congress is currently revising Legislation on Enforcement of Intellectual Properties in allied countries.
The United Kingdom abides by rules governing Intellectual Property as mandated by Intellectual Property Laws of
the US Congress. © WG Allen 1982 or so I thought?
The Valentine Brothers: First Take (64 Bit Digital Master) on AMAZON Prime and I-Tunes
Andrae Crouch, Rest In Peace, Dear Friend
Andre Crouch RIP 72
Assimilated Alien Color Technology: UFO Colors
The Lunesta Butterfly: Unauthorized usage of Registered Intellectual Property (Color Texture Application)
A Stolen Portfolio of UFO samples submitted to Getty Images 2005* You can't simply take what is not
yours to take!. Case and point; the color associated to the 3D Lunesta Butterfly and the organic
Watermarks associated to the color application.
Associated color application Carpenters P-51 UFO Anomaly. The texture application, covered under US Copyright.
The problems associated to tracking stolen color applications was solved within each color texture, naturally.
Because the color application is of a known UFO, based on NASA Apollo footprints, finding unauthorized users is
a matter of applying optical filtration, to expose the pathway watermarks.
© VAu000621288 2013 US Patent Pending
The Identifier filter applied to the Lunesta 3D Butterfly shows with 100% certainty, the usage of US Copyright
Color Texture Applications. US Copyright VAu000621288. 3D objects require Bitmap paints to give them realism.
In most cases conventional swatch technology is used for such applications, however; conventional colors are
not exciting. So 3D animators go for color texture bitmaps as such, assuming it cannot be traced.
Lunesta 2. Again the organic watermark indicates the source materials of this 3D object to be Carpenters P-51
UFO Anomaly. Source sample: National Geographic http://yourshot.nationalgeographic.com/photos/386304/
The material and associated copyright identifier number VAu000621288 is taken for granted. Click on
this example to go into Carpenters P-51 UFO Analysis.
Lunesta 2d Carpenters Lead Right Orb SOL Core colors Red-Blue. The SOL Core colors are
the Unseen footprint of this extraordinary color texture. The Watermark associated to an
Extraterrestrial UFO Anomaly. For he analysis of this extraordinary UFO extraterrestrial anomaly
captured by my cameras, confirmed by my associates @ NASA, Dr. Edgar Mitchell, Dr. Buzz Aldrin,
Click on sample above.
Further analysis and documentation can be found on National Geographic
Click here for UFO sample(s)
The Persuaders Live and More was created using AVID ProTools 5 and Sony Minidisc technology.
During the show, I recorded the board in ProTools, while running a digital recorded placed center
stage. I then mixed the board with the live recording from center stage to create this product.
I wanted to have the live sound you get when listening to Bob Marley Live. Currently only available
Ron Cartier & The Persuaders Live produced and recorded by WG Allen using ProTools Technology*
Rest in Peace Dear Friend..The Persuaders Ron Cartier passed away from heart related issues associated
The Persuaders are a dynamic group.
Brazilian Jazz: Rose Moraes and Roots of Brazil, Digitally recorded and produced by UFO Records: WG Allen. Our
projects on Amazon have been removed, and will will be back on I-Tunes shortly.
HD digital live recording: Full digital IMAX format video and camera front element recorder (house feed), mixed with the
stage audio feed, recorded in ProTools 9.5 (64 Bit). The summation of all the HD recorders is mixed in ProTools. The
audio mix is edited back onto the video in Media Composer 6.3.
Rose Moraes and Roots of Brazil (Please play in 1080 Mode) Sector recording technology applies the recorded product
of several strategically placed stereo digital recorders, mixed in sync, in 64 Bit HD ProTools. Rose Moraes and Roots of
Brazil Produced Rose Moraes and WG Allen. Full Digital D.D.D (Digital recording/editing/ mastering) in 64 Bit HD. Click
on Image to play video. UFOdc.com is a professionally trained (ABC/CNN/CBS News) field production unit. My credits
include: The White House/Air Force One Engineering (Contractor: ABC News) Please see below..
HD 1080 Nikon Technology
NIKON Digital SLR's Nikon Film samples
Shorty Corleone & Rare Essence : THE HEAT (AMAZON/iTunes- iTunes TOP Albums*) This project is currently
WG and the FatBoyz. I worked in the entertainment industry with industry giants (no pun intended). I had great
friends whom which happened to be great artist.
Wilbur Allen: AVID Technology. AVID/ProTools 64 Bit is used in the creation and mastering/remastering of all projects.
TTED Island 4th & Broadway/Island Films Warner Brothers
TTED Records created by WG Allen~1984-5
CD template TTED Records (obsolete media format). CD's are a thing of the past; HD MP-3 is Today (64 Bit)
These original designs were long before Photoshop*, and hand made. First clue are the stars, which I originally colored in.
Back then it looked awesome... I would not dare go back to this level of Fred Flintstone technology.
Good To Go : Trouble Funk: Drop The Bomb
The Short Fuse/Good To Go Digital Restoration Project. Short Fuse was originally filmed in 35 mm motion picture film
Eastman 5247 Motion Picture Stick. I was the Consultant to the Director of Photography (DP) for this film.
Cover concept, Photography and design WG Allen for TTED Records/Island Records & Films
Good to Go The Wrecking Crew 2
My lab processed Micro (Still reference files, using match camera exposure data, to emulate the 35 mm motion picture
camera footage). Maintaining film production control of the motion pictures final takes while filming, as references.
This Low cost film daily method, proved instrumental in the overall creation of this Island/Warner Brothers Film.
The Maxx Kidd story, the man who promoted DC Go-Go Music too an International level. Reformatting the film
a restoration process, which required AVID Media Composer 64 Bit editing technology. Using the original 24 track
2" audio masters, which were transferred to ProTools at Omega Studios, in Bethesda Maryland
Unauthorized reproduction: http://www.nytimes.com/movies/movie/120698/Good-to-Go/credits
Big Al Butler in "Good To Go", played himself. In this scene, we see the dark side of Big Al as he enforces his perimeter.
Big Al Butler, played himself in the film: "Good To Go". Big Al was kind and very caring towards his friends. He
worked as a security guard, during a robbery, Big Al apprehended the suspect, which pulled a knife and cut his
juggler vein. Big Al died at the scene.
Redds Leader of Redds and the Boyz was talented, kind, and giving. His skill as a musician unmatched to this day.
(He was a millionaire in Japan and did not know it).
Robert DoQui, went on to other films, Robo Cop and a few others, passed away from health
related issues after an excellent career. Robert was an excellent friend.
Robert DoQui, Art Garfunkel, Redds and Redds and the Boys (CJ Jones, Reginald Daltry and other band members).
Good to Go: Director of Location Photography- WG Allen (Island/Warner Brothers)
Good to Go Cast and crew (New York Times) Location Photography (Consultant Director of Photography), Island Films:
WG Allen (Wilbur Allen)
Good to Go, Washington DC's Go-Go movie bombed (literally) at the box office . While filming, writers
of the film took from local news events, and wrote those crimes into the film, in story line reenactments. Done in bad
taste, the opinions of the people shuttered at the box office, on this well funded Island Films venture, designed to be
a music video. It was a film on the War on Drugs and Crime in DC, in very bad taste. Outside of cast and crew, we all
did an excellent job. I further developed film imaging technology I created for Miles Davis, on this film.
I matched the lead cameras filming conditions, with stills, however; I could take my stills home, develop them, and be
back at work the next day, with the last days film results (Daily's). Film technology has come a very long way, and I
enjoy the digital encryptions now associated to all my work. But what of that time before digital, that which this
work represents. Work that "I" created.
I put my name on all my productions. I created in part TTED Records and created all its products/logos/designs.
TROUBLE Funk "Drop The Bomb" Good To Go film sequence (Remaster) Click on rear cover above. This is the only
totally restored (90%) segment of a really bad working copy (680 P).
The source of my masters is a ProTools 5.1 TTED sessions library disc. Omega Studios (Please click on Disc). I helped
create TTED Records and own the entire records library of artist, recorded at OMEGA Studios, in Bethesda Maryland.
TROUBLE FUNK from Good To Go: Drop the Bomb, motion picture restoration from 680 video file too HD format.
Restoration applications in Boris FX BCC 8.2 in AVID Media Composer 7. (64 Bit technology)
Major actors and Academy Award winners as crew, Island Films Good To Go. WG Allen, Consultant to Director of
Photography, Director of Photography. My company provided film dailies (images photographed exactly the same as
the main camera and its operating conditions). What the main camera imaged, my cameras replicated and generated
visual results, from based on daily production. Harris Yulin, and Art Garfunkel in a Good Cop gone bad
(Harris Yulin), tries to intimidate Art Garfunkel (drunken out of beat Reporter)
The samples represent footprints to my work as owner and creator. The footprints all point to me, forensically and
in US Copyrights. This clip is restored in Media Composer 7.0.4 with Boris Fx BCC Complete.
These clips are non restored, and in RAW (680) format. (AVID.com). Clip is in sequence of events in the motion picture.
In this scene, a continuation of "TROUBLE Funk: Drop The Bomb", the "Wrecking Crew: bad guys" do a "drive by shooting",
a common event (at times) in DC. The sequence required 3D audio restoration in sound foley. My overlay gunshots
are placed acoustically correct within the clip, meaning if there is gunfire frame left, then the sound will also be frame left.
Segment editing: Taking from the original film transfer (analog), and editing in AVID Media Composer 7 (TBA), each scene
is corrected using Media Composer Color Correction Harris Yulin, and Art Garfunkel in the Wrecking Crew death sequence.
These clips are non restored, and in RAW (680) format. (AVID.com)
Harris Yulin, and Art Garfunkel and Trouble Funk. We initially had lighting issues which resolved in chemical development
at the lab. However; ISO 400 film in a low light environment at 24 FPS did indeed pan out. My recommendation was to
add more light (15%). They did not listen. They listened at the lab. Photography, both still and motion are relative. My
work matching and surpassing the lead camera technologically. 35 mm motion picture cameras did not have the
metering advances my Nikon F3's offered in 1986. With superior film metering technology, I could recreate my sets
without lighting (flash) commonly used by cameras today. Trouble Funk: Drop The Bomb
Restoration of a motion picture requires time and patience. In my initial restorations, I worked with a very bad copy
(original DVD given to Maxx). We now have an Island Films copy which provided a more stable work environment.
These clips are non restored, and in RAW (680) format. (AVID.com)
Good to Go cast member: Director of Location Photography- WG Allen (Wilbur Allen) I achieved the black glare free
imagery using optical polarization. The grainless imagery was archived in theory, the same way stones are polished.
Film development is based on erosion. The film developer, has a chemical reaction to the film emulsion exposed to light.
I controlled that reaction by lowering my development strength, significantly (25% development strength) and increasing
my development time 200%. The film could handle the over development and issues associated to over development such
as reciprocity failure and granular distortions.
Taking the Omega Studio transfers from the original 2 inch 24 track, 1 inch 16 track, and 1/4 inch Studio Masters into
ProTools 7 (At time of transfer a few years ago), opening the ProTools 7 files into ProTools 64 Bit 9.5-10, and 11, and
processing them in the HD format into AVID Media Composer 7, with Boris Fx BCC 8.2, 64 Bit video editing technology
These clips are non restored, and in RAW (680) format. (AVID.com)
Using the original film soundtrack, and layering into the audio stream, sound effects from the Electra Sound Effects
Library, Volumes 1-3, and the SONY Films Sound Effects library, sound effects are layered into newly created audio
tracks. The film audio track is mixdown with the newly placed sound effects, into a new 7.1 DTS Digital track.
These clips are non restored, and in RAW (680) format. (AVID.com)
Feature Film Restoration and enhancement using AVID Media Composer and Boris Fx BCC 8.2. The restoration
requires complete reconstruction and enhancements of the audio tracks. The Media Composer ProTools audio
interface, allows spatial re sequencing of the audio events within the film. 3D sound was not in the original, there
was simple yet effective stereo technology used at this time.. 7.1 DTS was not on the market.
Covers designed and created by WG Allen (Wilbur Allen). My freelance efforts paved the way for
many artist including Grace Jones.. I created by hand, the boards needed to produced these
products. All photography, logo design and record label concepts: WG Allen
All creations associated to my work with TTED/Island/4th & Broadway Records. WG Allen: Art Director
Director of Photography (Stills and Motion Pictures), HD Digital Restoration Engineer (AVID/Boris Technology)
Maxx failed to pay for any of this work, after having a stroke in 1993.
Go-Go USA Logo and cover art Copyright violations inclusive of the creation of additional cover art around Logo
creation by WG Allen
Though glamorous, the dark side is deep within these projects. Remembering that "What you do to others,
will come back upon you. TTED Records, in part, is my creation. My beliefs are Maxx was taken
advantage of, due to his inabilities to communicate and a need for money which had dwindled due to
Covers HD 3NET. Fortunately along with copyright, are footprints associated to my work. Because I am the creator
I plastered my name and logo designs, liberally on each of my intellectual ventures. These are "old school" projects,
and each cover and letter printed on the boards were placed by hand, not computer. There was no Photoshop,
there were Photo Labs, which I owned and operated using invented chemical and mechanical technology.
EU Rock Yuh Butt Designed by WG Allen. Working in layers, much like the concept used in
Photoshop, however; these productions are Web Press composites. With 3D glasses you'll
see the layered attributes associated to these productions. My work from the past, can be
acquired on the Internet in their original formats.
EU Rock Yuh Butt/Sluggo Live Cassette Designed by WG Allen
EU Rock Yuh Butt Cassette
WG Allen and EU at Warner Brothers Records A & R. Artist would come to me to design their projects, which I did.
These are my creations, friends and clients as an independent superstar Artist, Artist.
Unauthorized Reproduction of "Discarded materials". During the production of EU: Rock Yuh Butt, I made several
revisions. My Red-Yellow monochromatic concept did not print correctly.
To compensate for the error at press, I added a Black & White layer, off sync with the red and yellow
original concept. HD 3D Remaster. Creating and owning your products is essential in a most
corrupted Music Industry.
EU Rock Yuh Butt: Originally designed and created by: WG Allen . HD Digital Masters rendered from original 24 track
2" masters; transcribed in ProTools 5.1 at Omega Studios.
Slug-go Live Cover concept, Photography and design WG Allen for TTED Records. All of this work
was hand made, inclusive of the text on the rear cover. At that time, Typesetting was very
expensive, and had to be farmed out, printed, cut and paisted onto the boards.
Slug go Back cover Cover concept, Photography and design WG Allen for TTED Records
Slug go proper the band main members: Photography WG Allen
Slug-Go live flip side Unauthorized Cassette. Back in the day, "Rip off", especially young African American
artists, commonly occurred. TTED Records, Maxx Kidd.
Slug go Label Concept; Cover concept, Photography and design WG Allen for TTED Records
Slug-Go Live original cover design and concept WG Allen. HD Digital restoration, AVID ProTools 64 Bit HD from
original studio masters (24 track 2"), converted to ProTools 5.1 @ Omega Studios, Silver Spring, Maryland.
Mr. Jesse James: It Takes One to Know One Cover concept, Photography and design WG Allen for TTED Records
Cover concept, Photography and design WG Allen for TTED Records. I had an assistant whom
photographed as I directed this sequence. I used Matt photography, a single exposure (x 2)
metering carefully to create a perfect balance. This is not photoshop, and created in my film
laboratory in Washington DC. I and my technology, were consummately advanced.
Jesse James Inside outside Cover concept, Photography and design WG Allen for TTED Records. In anything
that you do, it is essential to establish a pathway. All pathways lead or point directly to me, forensically. It is
impossible for someone to prove they are the owner of my creations without my written consent.
Tommy Davidson "Take It To The Top" featuring Trouble Funk: WG Allen
Chuck Brown: WG Allen
Chuck Brown: We Need Some Money; Back It On Up, Sho You Right: WG Allen HD Digital Remaster's* and Photography
The source of my masters is a ProTools 5.1 TTED sessions library disc.
All 2 inch and 1 inch audio transfers to ProTools 5.1 were performed at Omega Studios. Files mastered in
ProTools 64 Bit 9.5/10/11 audio processing technology, and reintroduced into the the motion picture stream, in
Media Composer 7, 64 Bit video editing technology. (As the technology advanced, so did we). We are operated
on all (Nikon/AVID/Boris) current and state of the art 64 Bit production technology.
Reggae AllStars 2009
Mark Greene Lead singer of the Moments
Michael McDonald of the Doobie Brothers: WG Allen Warner Brothers Records A&R Contractor (Art Director)
WG Allen & Chaka Khan. Warner Brothers Records A&R Contractor
WG Allen & Teddy Riley
Silver Platinum and Gold Art Direction, Design and Photography: WG Allen
As the times changed, so did my technology and clients. I no longer work in the Records industry,
beat down by "Bullshit", I jumped ship, and caught a ride on an ET Mothership: UFOdc.com
Dehejia Maat: Deep Rooted Soul Sista Poems created and designed by WiG Allen using HD Digital and Autodesk
Technology. You can see a total difference is quality, in this 3D production.
Capelton Live in DC 2009
Jovi Rockwell is awesome!
The Best of Mr. Flash Gordon
Diki Spliff and Spliff Productions: UFO Records Premiere Reggae Artist
Laura Izibor WG Allen, Warner Brothers Records A&R contractor
NATIONAL GEOGRAPHIC Magazine.com http://ngm.nationalgeographic.com/myshot/gallery/26800
Special Effects for Motion Pictures and Game Development
Mike Pataki (My Mentor and friend) Rest in Peace:
Korax Klingon Commander (Star Trek with William Shatner and Leonard Nemoy)
"Trouble with Tribbles" I have had some Excellent Friends!
Karnas (Star Trek Next Generation)
Mike Pataki, Vampire
Wilbur G. Allen: NABET Group 7 TOC Engineer.
I worked with the following U.S. Presidents for ABC News:
President Ronald Reagan
Image by Harry Langdon
Ronald Reagan: President of the United States
George H. Bush: President of the United States
William Clinton: President of the United States
They also serve as references. Please supply me with yours when posting comments
http://community.avid.com/media/all/default.aspx?Sort=Views Number 1 @ AVID.com
AVID.com most Viewed Videos
AutoDesk 3D and Analysis
http://ngm.nationalgeographic.com/myshot/gallery/26800 The first ever UFO documentation on
National Geographic Magazine.
Thank You: Billy Booth: http://www.ufocasebook.com/2009b/washingtondc111108.html
Budd Hopkins: http://www.intrudersfoundation.org/
Leslie Kean; http://www.jerrypippin.com/UFO_Files_leslie_kean.htm
Rob Simone: http://www.robsimone.com/
Rob; Thank You for your friendship and efforts in my cause: Wilbur Allen/UFOdc.com*
Major George Filer: http://www.nationalufocenter.com/
On air: www.NightVisionProductions.com 8 PM Pacific (11 eastern) on Wednesday Nov 11
It was a great show, and I was asked too return.
Mr. Dick Gregory whom is a very well Respected friend and advisor http://ngm.nationalgeographic.com/myshot/gallery/26800#/gallery/289680/
Dr. Bruce Maccabee
My Dad: (In Vietnam) http://ngm.nationalgeographic.com/myshot/gallery/26800#/gallery/289109/ (Agent Orange 2002)
Rest in Peace: Donna Marie Wells HUMSC
DOD, UFO Films has its establishing roots in the
US Air Force. I lived on Military Bases most of my life*.
These bases were in allied countries.
DOD Wagner HS, Clark AFB, PI. http://www.whoa.org/
Uplate: Nikon World Magazine* and NV Technology Invented by WG Allen
This is film and HD Digital at its best,
however; chemically engineered
UFO Films, experts in low Ev. HD and creative imagery on film. It is
unfortunate that digital does not have the flexibility in exposure analysis and
image latitude as film under controlled chemical conditions. 6-12,800 ISO (25600 ISO HD 1080 Digital)
are conditions in which usable imagery in extreme low (virtually no) light
environments. If there is a glimmer of light, spectral energy, I can
capture it. All film translated to digital via Nikon Coolscan or Canonscan
FS 4000 at 16 Bit/4000 Dpi. The digital translation of the film from
this direct emulsion scan technology is superb.
UFO Films is not associated with Getty Images. Contract Terminated 2005
Letters from the UK: 11-27-09
At the moment I am just simply beginning to look into the data you have been compiling and I logged onto ufodc.com
for the first time last night. I know it's a little late to have started my perusal into your work, especially considering that I
first discovered you maybe two or more years ago in the interview you gave to Rob Simone on his revolutionary radio show
(the guy’s a visionary), which I listen to regularly on Resonance FM here in England. That show was repeated again on
Monday night – took me by surprise – and again this morning. I wanted to listen again and record it so I might not miss
any detail, but actually missed it. It was in fact a show that I logged in my mind as being in the top category as I could
tell by the conversation that what you were discussing was uniquely of a very high order; I could tell it was genuine and
full of extremely technical content. Some of this technical aspect I am currently looking at, so it is tremendous that you
are conveying this kind of detail for all to see. (Also referenced: Robert Stanley)
© WG Allen 1982/1983/1984/1986/1987/2004/2007/2008/2009/2010/2011/2015
© VAu000621288 Registered Intellectual Property
Unauthorized Duplication of this Registered Intellectual Property is Prohibited by Law unless indicated by Author © (P) 2004/2009/2010/2011