Sedona Arizona UFOs
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Updated 1-10-2015
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Check your local listings for air times*
10-26-2012 are full frame digital still samples, 4-07-2013 Nikon HD Video is used. My research is now founded
on HD video samples, as seen on my Youtube channel
Contact: UFOdc@aol.com
I am Proud to be a cast member (in my series in Sedona) to Uncovering Aliens on Discovery's Animal Planet/
Discovery Science/American Heroes
I am Proud to be a cast member (in my series in Sedona) to Uncovering Aliens on Discovery's Animal Planet
Sunday 12-15-2013 @ 11 PM EST on Animal Planet
Discovery Science/Animal Planet
Wilbur Allen and John B. Wells on Imaginative Worlds
The Search for ET Portals and Bases: AREA 51/Sedona/Washington DC (National Geographic)
NGM reference file
En route to Sedona, my crew mate and I witnessed a Green object suddenly appear and fly at a 90 degree angle, towards the
ground. For forensic purposes, this report has been placed in the chapter designated to the Green objects I imaged at the
US Capitol Building, July 16, 2002. We have a match to the anomalies I imaged in 2002, however this is now 10-26-2012.
Click on pulsing green sphere below to enter Green UFO analysis. I'm in Sedona, and its 4-05-2013. I just got off the plane,
and setup shop in the courtyard of the Sedona Real. In my first 2 hours of scanning, to my surprise, a Cylinder, like that of
Shreveport, and what I have been imaging over my home in Washington DC for the last 60 days.
Sedona Cylinder 4-05-2013 Enhanced. However; its attributes are slightly different, it appears, as usual, in 1 frame.
My research indicates that it is a recurring event in the Sedona airspace. The frequency of these events further
indicates the possibility of an Extraterrestrial base in the Sedona region. As this research furthers, it will become
evident that the extraterrestrial presence is pro dominant in Sedona, as it is in AREA 51 and Washington DC.
Sedona Cylinder 4-06-2013
Enhanced Sedona Cylinder 4-06-2013
4-07-2013 and a faint luminous object (Cylinder) streaks silently, through the sky.
Sedona 4-07-2013 has to be the most active in regard to extraterrestrial activities. My samples show UFO objects
suddenly materialize within the visual field, where there were none. The inter dimensional transport technology can
be compared to either "Cloaking technology" or "Stargate" technology. In our production, we gathered towns
people which shared their local events and photographic data. I was not surprised to find others with essentially
the same anomalies that I had imaged with my D7000/D4 Nikons. I have matched events taken with 2 independent
cameras, showing the same things, however under different conditions. The D7000 is limited to 25600 ISO, and
in extreme conditions such as the desert night, is not suitable for these extreme conditions at Night. A camera
with extreme sensitivity would be my first selection. D4
Event 2, 10 minutes later 4-07-2013
Off World event documented by ground Rover
Event 3, 5 minutes later.....4-07-2013
Event 4, again 3-5 minutes later
Frame 2 of Event 4 UFO anomaly. Its rear to capture an anomaly (UFO) in multiple sequential frames, however;
I'm about to prove this wrong, in a demonstration of UFO materialization on video.
Ultra Slow Motion Analysis indicates what appeared is not a meteor.. Click on image for video analysis
Sedona 4-07-2013 reference frame free of airborne anomalies (UFO). At this point, I'm compelled to connect the
dots. What I imaged in Sedona on video, was imaged on HD stills in AREA 51. At that time, I did not have a full
understanding of the technology I had. As demonstrated in Sedona 4-07-2013, I have a full understanding of
the technology and it's capabilities. That understanding lead to this documentation. With concise analysis and
data (visual samples), I am able to conclude Extraterrestrial technology is in use in the airspace of Sedona AZ.
Initial manifestation of UFO in Sedona 4-07-2013. Object is partially visible as a streak. These samples are all 20 mm
perspective from essentially the same POV as 10-26-2012 in Sedona (Object drops out of warp, and stops) Click on
above image to see extraordinary UFO entrance into Sedona Airspace (Please play in 1080 Full Screen Mode)
Object is now fully manifested into the airspace. To preserve space, I have created a composite and slow motion
video of this event. RAW video (Click on image above) AVID Media Composer 7 using Boris FX BCC 8.2
Please click on the composite image below for the slow motion video analysis of this event
RILEY MARTIN: "The great UFO photographer Wilbur Allen has taken
unprecedented photos of UFOs. He is a great sensitive, even on par
with myself. This (sample) appears to me to be a 'Quantum Window'.
Some will call it a 'Stargate' or a 'Wormhole". Wilbur's work is of
the utmost importance for humans on earth today.
Stay tuned." Howard Stern Riley Martin Show"
Click on image to see slow motion video
Sedona Cylinder 4-07-2013. This object manifested from a dark area in space. The location is the same as the first
time I imaged an object come out of the sky 10-26-2012. Its in the same area and flying in the same direction as that
which I imaged in my first expedition. This is proof that the anomalies manifested from deep space and into our airspace.
I have the same event imaged in AREA 51* 10-12-2012, while filming for My Big Redneck Vacation (CMT/MTV). I updated
the info in the AREA 51 chapter
Uncovering Aliens BLACK OPS CONSPIRACY UFO Sedona AZ 4 07 2013 Analysis 2 Pt1
A more extensive analysis of the first segment of this event* I attempt to show the nature of each event in the best possible way.
Pocatello, Idaho 7-02-2013 (C) Wayne Miller, we have matching objects in other locations of the United States*
Wayne used a Nikon D90 and an 18-105 VR Nikon lens at 1600 ISO, using 18 mm focal length and a 5 second
exposure. My samples use 51200-102400 ISO at 1/20th of a second at F-2.8. How with the substantial differences,
are these files able to show the same things, however under different levels of analysis (D90/D4 Nikons), and
Geographic locations.. Additional matching samples to this location are posted in this sample.
Frame 2 of Pocatello, Idaho footage taken by Wayne Miller 7-02-2013. A 100% match to the objects imaged in
Sedona Arizona and Groom Lake AREA 51, however; in Idaho. Nikon D90
Sedona UFO video reference frame
AVID Media Composer 7 64 Bit Digital Editing
Boris FX BCC 8.2
National Geographic reference file, please click on image above. The specifics of this video are implied on this NGM file
Approximately 30 minutes later, the Luminous UFO anomaly returned, however in another flight trajectory. In its
approach, the anomaly lighted the tree tops. I have selected the frames which illustrate this event. I start with a
normal frame, and progress to the luminous flyby, which is composited, due to space limitations. These frames
are on Wilbur Allen (UFOdc) YouTube Channel
11-02-2013 Video Analysis Update of this event is posted on my YouTube channel. Please click on this image for updated video
Frame 2, and the treetop is now somewhat illuminated, by an unknown airborne source? upon further analysis
it is determined that the source of light is the luminous object, which entered this airspace through a wormhole.
Enhanced slow motion file shows this UFO dematerialize while warping out.
Treetop is now totally luminous, and the level of light is pure white. The frames that follow, show a luminous white
object warp into outer space after the close flyby of my room, which was directly in front of these trees. The remainder
of the frames are seen in this extraordinary multi frame composite:
Upon lighting the tree tops as if scanning for something, the anomaly quickly warps into outer space. Click on
image sample to see this extraordinary event. For super slow motion click on this link*
7-02-2013 Pocatello, Idaho final flyby sample of object UFO flyby, imaged by Wayne Miller using Nikon D90 @ 1600 ISO.
Roxy Lopez: Interview 2
Sudden manifestation of UFO in real time. Sedona 4-08-2013. Click on image to access real time video+
4-08-2013 Sedona, and cylinder object suddenly appears in the frames. This is example 2 of 5 showing this sudden
materialization of UFO anomalies Sedona 4-08-2013: UFO sudden manifestation . Just as in 4-07-2013 , this sequence
of frames shows a UFO anomaly, suddenly manifest within the image area. This indicates that the technology imaged utilizes
dimensional transport technology which allows them (ET) to materialize in any given airspace. This wormhole/Stargate
technology is clearly demonstrated on my HD video samples. Click on image for Slow Motion Video
Washington DC comparative video sample: 5-04-2014 UFO Portal 1 WARP Flyby Analysis
Cylinder (faint) Sedona 4-08-2013
Cylinder 2 Sedona 4-08-2013
Nikon Video @ 30 FPS using 1/8000th of a second shutter speed (AVID/Boris Fx BCC 8.1)
Bradshaw Ranch (Daylight) UFO scan (no activity) Click on image for time-lapse video
For the analysis of the Bradshaw Ranch, during the day, I shot 2 kinds of video: Time lapse video filmed at 1/8000th
of a second, every second for 1 hour, which resulted in the above video sample. In the time lapse sequences, I was
unable to detect UFO activity, however; I shot video at 30 frames per second using a shutter speed of 1/8000th of
a second. It's in the video footage, that I discovered extraordinary inconsistencies in the files. One such
inconsistency was found in a frame. A frame being the key word, my findings are essential a single frame in the
video flow.
AVID Media Composer 7 64 Bit Digital Editing
Boris FX BCC 8.2
Nikon Video @ 30 FPS using 1/8000th of a second shutter speed (AVID/Boris Fx BCC 8.1)
Airborne anomalies in a single frame of video, taken at the Bradshaw Ranch 4-10-2013. I am referencing a single frame
in a video stream taken on location. My video was set for maximum definition: The 20 mm lens is fully closed down, set
to it's smallest (largest F-Stop of F-22). It's focus field is set to infinity. With 30 frames per second video film rate using
a shutter speed of 1/8000th of a second. The field of focus with maximum depth of field from the minimal focus point
of the lens (0.25 meters) to infinity are in place. That means everything is in focus within the range of the lens using
1/8000th of a second @ 12800 ISO. There should be no blurring associated to motion based on the definition of the
video file, yet there is? Click on image for video Time Lapse analysis
Nikon Video @ 30 FPS using 1/8000th of a second shutter speed (AVID/Boris Fx BCC 8.1)
Airborne anomalies with the consistency of the mountains they are in front of! If these were organic definitions,
birds or insects in flight, they would have appeared in numerous frames, however; not just one. Their flight
configuration is puzzling also? If these were 2 birds in flight, they would not be perpendicular to each other as
these 2 anomalies are.
Nikon Video @ 30 FPS using 1/8000th of a second shutter speed (AVID/Boris Fx BCC 8.1)
Non conformity to any known flight worthy object, aircraft, bird or insect. In the case of bird or insect, the
conditions of the shoot would have made them visible in multiple frames, not as a singularity, which these frames
represent. Click on image for video analysis NOte they are the exact color texture as the mountains and
geography of Sedona and the Bradshaw Ranch. The additional imagery from this session are equally abstract!
For the next example, I am forced to start with a reference frame, devoid of any unusual activities.
Uncovering Aliens BLACK OPS CONSPIRACY Bradshaw Ranch Drone Analysis 2 . 30 FPS HD video filmed at 1/8000th of a second
shutter speed, using 20 mm lens set to f-22 (Totally closed down). Everything from .5 inches too infinity is in 100% focus. At 1/8000th
of a second shutter speed, nothing should be blurred, yet this anomaly is a blur at best in this singular frame.
Bradshaw Ranch static shot devoid of any activities. Again, this is standard video (30 frames per second at 1/8000th
of a second shutter speed. There is nothing out of the ordinary with this single frame sample. However; note the next
frame and the cloud like anomaly directly in line with the clouds.
Cloud anomaly UFO. Anomaly is enlarged below. Nikon Video @ 30 FPS using 1/8000th of a second shutter speed
(AVID/Boris FX BCC 8.2)
Nikon Video @ 30 FPS using 1/8000th of a second shutter speed (AVID/Boris FX BCC 8.2)
Cloud anomaly moved at extreme velocity. The cloud anomaly looks like a saucer in this single image file. It's below
the clouds, and for you to see it in this sample, you must reference the first frame which shows nothing where this
object is seen in this frame.
Nikon Video @ 30 FPS using 1/8000th of a second shutter speed (AVID/Boris FX BCC 8.2)
Enhanced sample of cloud anomaly imaged at the Bradshaw Ranch. In the very next frame, the cloud turns into
blue spheres, which are visible. For this I made a composite of the frames. These are video frames, and we are
looking at the event based on a frame by frame analysis at 30 frames per second using 1/8000th of a second
shutter speed. That means what I'm showing you takes place within 1 frame in 30 taken in 1 second. Under normal
conditions, and viewing the video in real time, we would not see a thing, it happens so fast! However; if we slow
down the speed they become apparent. Your not going to find them looking at the video as video in real time.
Nikon Video @ 30 FPS using 1/8000th of a second shutter speed (AVID/Boris FX BCC 8.2)
Composite frame of the next 5 frames in the sequence of frames. Note the cloud anomaly, however for the sake
of argument, I provided a map to the events in this sample. Click on image above to see slow motion frame by
frame action of this cloud UFO at high velocity.
Anomaly roadmap. Nikon Video @ 30 FPS using 1/8000th of a second shutter speed (AVID/Boris FX BCC 8.2)
Remote POV of imaged sample below, Sedona Arizona 10-26-2012. 3/4 Quarter Moon served as adequate lighting.
Full Color Nightvision
Remote POV 2 Sedona Arizona. Sector where images are taken was and is unknown to me. I was in absolute darkness
I had several POV's to sample from. On some, luminous anomalies appeared, which were 100% consistent with objects
imaged in AREA 51 and Shreveport.
From this POV, I imaged several frames which showed vectoring luminous white objects. The frames are consistent in quality
to the cylinder imaged in Shreveport/Japan. The frames where programmed to fire every 3 seconds. This frame is a
reference frame for the samples which show the vectoring luminous objects. The anomalies had contrails associated
to them.
This vector is consistent with that which was imaged in Shreveport and AREA 51, however, apparently farther from
the lens POV as in Shreveport.
Anomaly has contrail associated to its forwards trajectory. Generally, such a contrail would be associated to the
UFO objects propulsion technology. Still frames HD.
Objects contrail and luminous qualities are consistent with objects imaged in AREA 51 and Shreveport. Note objects
contrail, and the fact this is not a meteor. Additional samples taken from this POV, showed the manifestation of
luminous objects, in an airspace where there were none. The samples registered as streaks, consistent with this and
other samples obtained in different geographic locations. How extraordinary that these frames take place within 2
(two) minutes of each other, from the same POV . I generated HD video of this extraordinary documentation .
Please click on the image sample above.
From this POV, I obtained several samples of interest. However, this is frame #1 of 2 in this sequence.
Frame 1 of object registered on sample, during spatial scan of remote POV in Sedona Arizona. Object entered
into the frame POV in a perpendicular trajectory
Enhanced frame sample of UFO anomaly imaged in 2 frames of this sequence. This is frame 1 of 2, and the object
enters into the frame at this point. I'm not sure if this is the object entering into the atmosphere, or through a
wormhole, as discussed by my associate: Dr. Edgar MItchell
Enhanced further, the object registers as nothing conventional or within our level of technology. I advance to the
next frame taken in this sequence of frames. Notes made during my lecture with Dr. Edgar Mitchell, indicate that
Apollo astronauts encountered and witnessed extraterrestrial technology in space. These anomalies are consistent
with NASA JPL files, imaged in Space and on the Moon.
Frame 2 of 2 frames imaged in sequence taken in desert POV Sedona Arizona. The anomaly has a familiar
configuration, much like that imaged in Shreveport Louisiana, at top of this page, and following this sample.
Enhanced sample of frame 2 anomaly, imaged from remote POV Sedona Arizona. The angular velocity of this frame
sample, is exactly the same as frame 1. We are able to gauge the trajectory of this object based on these 2 files.
Enhanced further, this anomaly could indeed pass for the anomaly imaged in Shreveport Louisiana, however is
smaller though thicker than the object in Louisiana.
Composite frames of event anomaly
For a point of reference, to show the luminous qualities of these Sedona samples under a 3/4 Moon, the following
image sample is the basis (optically) for this analysis. Though it looks very bright, it is absolutely dark according
to my eyes.
Terrestrial scan Sedona Arizona. Non eventful, however; exceptional video in this 30 minutes duration sample
It's looped 9 times for absorption (mental) purposes.
3/4 Moon optical conditions on all imaged samples, as based on this reference frame. Its rather dark, however that's
not what the D4 Nikon see's.
Reference file 2 Sedona Arizona @ 3AM. Camera sensitivity at 100000 ISO generates an unreal representation of
what was seen, which based from my point of view, this image is not what I saw. This looks like daylight, however
it's pitch black based on what my eyes are seeing. Thank You Bob James (3AM) (Warner Brothers Records)
I took many frames, in which anomalies would be present. This is a reference frame for the following showing luminous
vectoring objects in Sedona Airspace.
The object appears in this frame only, however is enhanced in the following frame
Luminous object enhanced. These anomalies showed up on several frames, however faintly. They were visible in
HD analysis.
Within this frame sample, is a luminous cylinder object. It's level of luminosity was faint, however it is visible in the
comparative analysis of this sequence of images.
The faint vector is detectable within the HD TIFF file in which it was generated. In the next frame, 3 seconds later
the anomaly is gone. The frame had to be enhanced in the area of the anomaly for it to be visible in a Web
resolution.
Following frame 3 seconds later minus luminous streak, which could not be found in any additional frames, until a
large object, silently drops out of warp* These are 20 mm optical frame perspectives. The anomaly imaged in the
following frames composite, was huge! By showing reference frames, we are able to gauge proximity of anomalies.
Click on image for enhanced video analysis (AVID Media Composer 6.5)
Object drops out of warp, and decelerates, before stopping. Object, upon initial manifestation was enshroud
in cloud matter. The cloud matter dissipated as the object stopped. Frame 1 sample. I created a composite frame
with the entire chain of events, below. However, I did enhance each frame to show this objects progression and
discharge of smaller objects into the air, below. All imaged files in Sedona are filmed in HD TIFF/RAW formats. TIFF
files had to be converted to JPEG for analysis. However; the TIFF files are saved in a native format to JPEG images.
NGM reference file
Frame 2 of objects entrance into cameras POV perspective. Object is slowing down, and cloud matter is fading.
Frame 3: Object is decelerating and cloud matter is dissipating considerably. As object slowed, it discharged smaller
objects into the air. The following frames are the enhanced analysis of this event. Entire event is composited into 1
Frame. (Below)
20 mm lens perspective
I created a composite frame
with the entire chain of events, below. However, I did enhance each frame to show this objects progression and
discharge of smaller objects into the air, below. All imaged files in Sedona are filmed in HD TIFF/RAW formats. TIFF
files had to be converted to JPEG for analysis. However; the TIFF files are saved in a native format to JPEG images.
I imaged something "warp" into the frame and slow down. Taken from remote location in Sedona Arizona (Click on image)
I was unnerved by the silence then all of a sudden, every dog and coyote in the area started howling. Even creepier, I felt
watched, and was possibly examined by an unknown force which drew blood from my finger*. The wound still exists and is
most unusual: a small orifice in front of a larger underlying perfectly circular wound.
*Finger below. I filmed aircraft on a takeoff vector from Ronald Reagan National Airport. I was unable to recreate what
I imaged in Sedona or AREA 51? At the Washington Monument 12-01-2012, I imaged both the Monument and the
US Capitol Building using high speed video technology Video in low light, imaged at 30 frames per second using
1/8000th of a second shutter speeds to do video capture. That means 30 frames of images at 1/8000th of a
second or 30 frames of super fast action within 1 second of action. If its moving faster than the shutter speed
its going to register as a blur, and I have blurred frames and long streaks of light in images taken at this
exceptional shutter speed. Object imaged here was also imaged by Gianni Lo Giudice in Groom Lake AREA 51,
and in Pocatello, Idaho by Wayne Miller.
Frame 1 of anomaly shows this object entered into the frame with some velocity associated too it. Object drops out
of warp. It is enshroud in cloud like matter. Generally, an aircraft leads it's contrails, and is not enshroud in them.
Matching sample reported by Huffington Post in Kentucky 10-16-2012
2. Object is slowing down. These frames are enlargements of frames imaged using a 20 mm lens. 20 mm is considered
wide angle. It recorded a 94 degree image area sweep from a left to right perspective. In this 20 mm perspective, the
anomaly is imaged as a large streak with red and white light associated to it. Generally, correct for all aircraft based
on military and commercial navigation light configurations. However; these frames are imaged film 90 degrees straight
up? If this was a conventional aircraft, where are the wing and tail lights that are on all aircraft? I sampled an aircraft
and placed that sample below to show the validity of the sample through a comparative analysis. Kentucky
10-16-2012 click on image above
3. As the object came to rest, the enshroud cloud matter dissipated. However; there is still a partial contrail
associated to this object in deceleration. 20 mm lens perspective
4. This frame shows the anomaly now with several green spheres, attached to it. They are discharged from the
object as it slowed down. As this was being imaged, the dogs and coyotes in the area, started howling. It was
most unsettling.
5. The spheres are being discharged from the object as it comes to rest. The cameras sensitivity would have clearly
shown the physical characteristics (if any), of this unusual rod like anomaly. It is perhaps a match top that imaged
above in Shreveport Louisiana 11-01-2012 and in Japan 11-15-2012, imaged above, at the open of this site..
6. As it slows, almost to stop, there is still a contrail associated to this anomaly. It leads the contrail. Because these
frames are all imaged at relative constant settings,i.e.; every frame is the same focus, F-stop, shutter speed, and
overall exposure settings, everything is the same except for the subjective sample registered at that given point
in time, during exposure. With exactness in each frame, we can calculate this objects forwards velocity, which I
deferred to Dr. Bruce Maccabee.
Frame 7 Object at rest, however, there is no physical definition associated to the sample, even at rest? Shooting
straight up, I should see the wing and tail lights as it passes over? I cannot. 20 mm lens perspective
Final frame of the sequence (9 frames). Object has flight lights which are inconsistent with conventional aircraft, and
was devoid of visible wings, which when photographed, would appear as wings in the imaged sample. The sample
would show the physical characteristics of an aircraft, based on my physical documentation of aircraft at night. It leads
its contrail and is not enshroud within it, as this 7 frame sample demonstrates. I have additional frames taken from
an additional POV in Sedona. There I imaged 500 frames, 2 of which showed an object enter into the image area
perspective (POV). Based on POV of these sample files, I am able to triangulate the trajectory of this anomaly,
which stopped geographically, over the Bradshaw Ranch in Sedona (Sedona's AREA 51 which is connected too
Groom Lake AREA 51 via a tunnel)
The return of this anomaly is extraordinary! Imaged 4-07-2013 from almost the exact location as the 10-26-2012
UFO event, examined by the BBC. How ironic, that though we filmed specifically for UFO events, none happened until
after hours? Though we stopped our program filming, I never stopped my cameras from recording those hours we
were not working? I had a prime location to film from at my hotel, The Sedona Real'. An excellent hotel; however;
after dark, enter into their courtyard at your own risk! That is one absolutely creepy location late at night! My images
indicate that this is indeed a creepy spot, late at night!
The anomaly returns however, with another anomaly, much like that imaged coming out of the wormhole.
I have this object coming and going from this camera POV.
Anomalies in motion 4-07-2013 Sedona. This red and white modulating anomaly is no stranger to Sedona.
Imaged in Sedona 2000.
Pocatello, Idaho footage taken by Wayne Miller 7-02-2013 is a 100% match to objects imaged in Sedona in
2000, 2012, 2013, however taken in Idaho 7-02-2013.
NGM reference file
Triangulated trajectory of UFO plotted over this mountain, which is the Bradshaw Ranch. We went there to film
on my BBC/Discovery channel special. On the expedition we went to mountain tops, known to be energy vortexes.
NGM reference file
To my surprise, on 1 test shot, I imaged the red and white UFO anomaly, again: I did not notice these frames recorded
to a separate memory card in the D4. City lighting (Sedona), illuminated the sky, in this 102400 ISO sample. I'm using
a 16 mm 2.8 Fisheye Nikkor Lens. I'm shooting 90 degree's straight up. The D4 has exceptional light assessment
capabilities, which I experimented with. Based on this frame, we can see the surrounding mountains in extreme
darkness.
Enhanced sample of singular UFO
Enhanced further we see the object was stationary
The anomalies within this research study have obviously been here for a while. Each anomaly on this tapestry has
an U-HD representative. (1561 Nuremberg)
Optical conditions of the shoot, are as illustrated. However; I went to 102400 ISO to look at the adjacent mountains
Adjacent perspective, Sedona Mountain top vortex. I went 2 stops slower, to 1/6th of a second
Advanced scan, Sedona Mountain top in complete darkness. Full Color Night Vision, 16 mm Fisheye perspective.
Do not let this fool you! To my eyes, I could barely see the lights on the trucks parked to the left of the frame!
The blue lighting, to the left, is attributed to LED lighting used by the camera crew. This sequence is taken during
our weather balloon test, to determine if what I imaged 10-26-2012 was a weather balloon lighted with "Glow Sticks"
or Green Laser. Green UFO in Sedona 10-2012
Aircraft and contrail at Night. We clearly see the navigation lights of this aircraft, and that it leads its contrails. Each
contrail is associated to an engine discharging water vapor, a component of JP Jet fuel. I was raised USAF on bases
with advanced aircraft tactical aircraft. My father was a field Aircraft Engineer for the F-106 Delta Dart, supersonic
fighter interceptors. Cold War technology. I understand aircraft and flight avionics. I design and build drones (RC)
airplanes, and am a master builder. You don't get to work on Air Force One, if you're a Moron. There are No Special
Ed functions on this level or any level aircraft. I think I am able to assert ain the difference in a conventional aircraft
and that which I imaged in AREA 51 and Sedona. To tell me what I imaged is an aircraft if you were not there is
illogical? How does one say what something is, if they did not see it, or were not present at the time and location of
the event to make a valid assessment of the objects in question? I would rather they remain silent, than to speak
with knowledge of that which they know not! 20 mm lens perspective I imaged some rather unusual anomalies in the
air, while in the desert of Sedona. 2 frames in particular showed an object enter into the image frame POV in a
perpendicular trajectory .Further, I am able to differentiate aircraft navigation lighting and structural definition, to
an extent, of aircraft in flight.
USAF Helicopter 5-22-2013 DC. This frame demonstrates the cameras ability to differentiate structural definition
of airborne aircraft, at night.
AVID Media Composer 7 64 Bit Digital Editing
Helicopter from duration scan 2-13-2013 Washington DC
Aircraft, high altitude 3-10-2013
In a 60 frame sequence taken from Sedona Hotel courtyard, 2 luminous objects appear in this frame only. This sample
has images spaced 10 seconds apart. Because they appear in this frame only, I will use it as a reference in this event.
Taken using Nikon D7000 and DX 10 MM Fisheye, at 20000 ISO. I enhanced the anomalies in the samples below:
Enhanced sample 1. They appear in this frame only. Composite video made of this event, shows 2 frames before and
after This frame. Anomalies appear in the upper left quarter of this frame.
Very unusual anomalies, with one leading the other. They both have like but different flight trajectories, This indicates
there are 2 objects and not one in flight.
Very unusual extreme enlargements, which indicates 2 separate objects in close formation.
Looks like daylight, however, its pitch dark according to my eyes.
Sedona POV unknown. I walked in the dark without light, following the road into darkness. However; this sample is
misleading. The optical quality based on my eyes, was not this spectacular. D4 Nikon has extraordinary light
gathering capabilities. These are 100000 ISO with a F-2.8 20 mm Nikkor lens. I use Nikon technology exclusively.
NIkon Professional Services (NPS)
Sedona extreme low light imagery using Moon light as key lighting. However please note I am a professional photographer
Coyotes Attack: I am so lucky, I was stalked by coyotes in Sedona. During the entry of the luminous anomaly
which stopped above my head in the Sedona
National Geographic QuickExplore: Wilbur Allen
Shreveport anomaly
Extreme terrestrial scan technology allows for imaging in "no light" environments, such as deserts. In extreme
environments with limited light, the camera sensitivity responds much like that of HUBBLE with a range of 50
to 204800 ISO. These samples are not generated in conventional technology. 20 mm lens perspective
Generally, a camera is placed in a remote location, and programmed to fire images autonomously for a designated
period of time. In the Sedona scan, a 20 mm lens is used in order to cover as much of the sky as possible. A 20 mm
lens covers a 94 degree image area. Fisheye 10 mm was used in AREA 51, covering a 180 degree image area sweep.
I use Nikon Advanced Systems D4
An unusual finger wound, a very small entrance wound, on top of a much larger hole in my finger. I had this upon
exiting the desert in Sedona. I felt totally unnerved by whatever transpired while I was lost, alone in the desert.
Based on what I am experiencing, I cannot discount the possibility that blood may have been drawn, while I was
spooked. They move at accelerated speeds, and can do things faster than you can imagine. Based on my high
speed research, this is a very strong possibility.
Metadata associated to imaged find* Sedona AZ. I will post the Metadata impressions of each image to assure the
authenticity of each imaged anomaly
Sedona Arizona, Moon light digital sample. 100000 ISO D4 20 mm lens perspective
Russian UFO
Russian UFO 2